Voznesensky was born in Moscow. His father was a professor of engineering, while his mother influenced him early on by reading poetry in his presence. His father worked during World War II. In his early life, Voznesensky was fascinated with painting and architecture, in 1957 graduating from the Moscow Architectural Institute with a degree in engineering. His enthusiasm for poetry, though, proved to be stronger. While still a teenager, he sent his poems to Boris Pasternak; the friendship between the two had a strong influence on the young poet, and he later described this relationship in “I Am Fourteen” – “From that day on, my life took on a magical meaning and a sense of destiny; his new poetry, telephone conversations, Sunday chats at his house from 2 to 4, walks—years of happiness and childish adoration”. Pasternak, who died in 1960, paid him the ultimate tribute – “Your entrance into literature was swift and turbulent. I am glad I’ve lived to see it”.

His first poems were published in 1958, and these immediately reflected his unique style. His lyrics are characterized by his tendency “to measure” the contemporary person by modern categories and images, by the eccentricity of metaphors, by the complex rhythmical system and sound effects. Vladimir Mayakovsky and Pablo Neruda have been cited among the poets who influenced him most.

Voznesensky was one of several young Russian intellectuals whom Nikita Khrushchev invited to a reception hosted by the ruling Communist Party in December 1962. Khrushchev scathingly remarked on Voznesensky at the ceremony: “Just look at this new Pasternak! You want to get a [foreign] passport tomorrow? You want it? And then go away, go to the dogs! Go, go there”. In 1963, his fame blossomed and he became “as popular as The Beatles” after Khrushchev publicly and falsely branded him a pervert.

His creations have been turned into works of theatre. One collection of his poems, “Antimiry” (“Anti-worlds”) served as the basis for a famous performance at the Taganka Theater in 1965. “Save your Faces” was performed at the same venue. “Juno and Avos” was performed at the Lenin’s Komsomol Theater (now Lenkom). Others on foreign territory.

A minor planet 3723 Voznesenskij, discovered by Soviet astronomer Nikolai Stepanovich Chernykh in 1976, is named after him.

In 1978 Voznesensky was awarded the USSR State Prize. He is an honorable member of ten academies, including the Russian academy of learning (1993), the American Academy of Arts and Letters, Parisian Académie Goncourt and others.

Voznesensky’s friendship with many contemporary writers, artists and other intellectuals is reflected in his poetry and essays. He is known to wider audiences for the superhit Million of Scarlet Roses that he penned for Alla Pugacheva in 1984 and for the hugely successful rock opera Juno and Avos (1979), based on the life and death of Nikolay Rezanov.

In later years Voznesensky became reclusive in nature. He suffered a stroke several years before his death. He is believed to have endured another stroke in early 2010.

On June 1, 2010, Voznesensky died at the age of 77. The secretary of Russian Union of Writers, Gennady Ivanov, announced that he had died in his home in a peaceful manner. A cause of death went unprovided. Russian President Dmitry Medvedev wrote a letter of condolences. A telegram by Russian Prime Minister Vladimir Putin said Voznesensky had “truly become a person of dominant influence”. Other senior Russian officials and cultural entities also offered many tributes.

Voznesensky’s wife, Zoya Boguslavskaya, outlived him. He was buried in the Moscow Novodevichi Cemetery on 4 June 2010.