|Height:||193 cm (6' 4'')|
|Birth Day:||May 31, 1930|
|Birth Place:||San Francisco, United States|
|#1||Kimber Lynn Eastwood||Daughter||N/A||N/A||N/A|
|#2||Morgan Eastwood||Daughter||$1 Million - $2 Million (Approx.)||N/A||8||Actor|
|#3||Francesca Eastwood||Daughter||$5 Million||N/A||27||Actor|
|#4||Kathryn Eastwood||Daughter||$1 Million - $2 Million (Approx.)||N/A||32||Celebrity Family Member|
|#5||Alison Eastwood||Daughter||$1 Million (Approx.)||N/A||48||Actor|
|#6||Frances Fisher||Former partner||$2 Million||N/A||68||Actor|
|#7||Sondra Locke||Former partner||$20 Million||N/A||76||Actor|
|#8||Maggie Johnson||Former spouse||N/A||N/A||24||TikTok Star|
|#9||Dina Eastwood||Former spouse||$20 Million||N/A||55||Reality Star|
|#11||Scott Eastwood||Son||$10 Million||N/A||34||Actor|
|#12||Kyle Eastwood||Son||$10 Million||N/A||52||Soundtrack|
|Height||Weight||Hair Colour||Eye Colour||Blood Type||Tattoo(s)|
|193 cm (6' 4'')||N/A||N/A||N/A||N/A||N/A|
He worked as a lifeguard, a caddy, and a grocery clerk while growing up. He became a household name after playing Rowdy Yates on the long-running CBS Western series Rawhide.
Eastwood was born on May 31, 1930 at Saint Francis Memorial Hospital in San Francisco, California to Ruth (née Runner; 1909–2006) and Clinton Eastwood (1906–1970). During her son's fame, Ruth was known by the surname of her second husband, John Belden Wood (1913–2004), whom she married after the death of Clinton Sr. Eastwood was nicknamed "Samson" by the hospital nurses because he weighed 11 pounds 6 ounces (5.2 kg) at birth. He has a younger sister, Jeanne Bernhardt (b. 1934). He is of English, Irish, Scottish, and Dutch ancestry. He is descended from Mayflower passenger William Bradford, and through this line is the 12th generation born in North America. His family relocated three times during the 1930s as his father changed occupations, residing in Sacramento in 1935, according to census records. Contrary to what Eastwood has indicated in media interviews, they did not move between 1940 and 1949. Settling in Piedmont, California, the Eastwoods lived in an affluent area of the town, had a swimming pool, belonged to a country club, and each parent drove their own car. Eastwood's father was a manufacturing executive at Georgia-Pacific for most of his working life. As Clint and Jeanne grew older, Ruth took a clerical job at IBM.
Eastwood attended Piedmont Middle School, where he was held back due to poor academic scores, and records indicated he also had to attend summer school. From January 1945 until at least January 1946, he attended Piedmont High School, but was asked to leave for writing an obscene suggestion to a school official on the athletic field scoreboard and for burning an effigy on the school lawn, on top of other school infractions. He transferred to Oakland Technical High School and was scheduled to graduate mid-year in January 1949, although it is not clear if he did. "Clint graduated from the airplane shop. I think that was his major," joked classmate Don Kincade. Another high school friend, Don Loomis, echoed "I don't think he was spending that much time at school because he was having a pretty good time elsewhere." "I think what happened is he just went off and started having a good time. I just don't think he finished high school," explained Fritz Manes, a boyhood friend two years younger than Eastwood, who remained associated with him until their falling out in the mid-1980s. Biographer Patrick McGilligan notes that high school graduation records are a matter of strict legal confidentiality.
Eastwood held a number of jobs, including lifeguard, paper carrier, grocery clerk, forest firefighter, and golf caddy. Eastwood said that he tried to enroll at Seattle University in 1951, but instead was drafted into the United States Army during the Korean War. "He always dropped the Korean War reference, hoping everyone would conclude that he was in combat and might be some sort of hero. Actually, he'd been a lifeguard at Fort Ord in northern California for his entire stint in the military," said Eastwood's former longtime companion Sondra Locke. Don Loomis recalled hearing that Eastwood was romancing one of the daughters of a Fort Ord officer, who might have been entreated to watch out for him when names came up for postings. While returning from a prearranged tryst in Seattle, Washington, he was a passenger on a Douglas AD bomber that ran out of fuel and crashed into the ocean near Point Reyes. Using a life raft, he and the pilot swam 3.2 kilometres (2 mi) to safety.
Eastwood has had numerous casual and serious relationships of varying length and intensity over his life, many of which overlapped. Shortly after he met future wife Maggie Johnson on a blind date in spring 1953, Eastwood had a relationship that resulted in a daughter, Laurie (born 1954), who was adopted by Clyde and Helen Warren of Seattle. Although the identity of Laurie's biological mother is not publicly known, biographer Patrick McGilligan said she belonged to a theatre group Eastwood participated in. Eastwood continued having affairs while married to Johnson, including a 1959 to 1973 liaison with stuntwoman Roxanne Tunis that produced a daughter, Kimber (born 1964).
According to a CBS press release for Rawhide, the Universal-International film company was shooting in Fort Ord when an enterprising assistant spotted Eastwood and invited him to meet the director, although this is disputed by Eastwood's unauthorized biographer, Patrick McGilligan. According to Eastwood's official biography, the key figure was a man named Chuck Hill, who was stationed in Fort Ord and had contacts in Hollywood. While in Los Angeles, Hill became reacquainted with Eastwood and managed to sneak him into a Universal studio, where he introduced him to cameraman Irving Glassberg. Glassberg arranged for an audition under Arthur Lubin, who, although very impressed with Eastwood's appearance and stature, then 6'4" (193 cm), disapproved of his acting, remarking, "He was quite amateurish. He didn't know which way to turn or which way to go or do anything". Lubin suggested that he attend drama classes and arranged for Eastwood's initial contract in April 1954, at $100 per week. After signing, Eastwood was initially criticized for his stiff manner and delivering his lines through his teeth, a lifelong trademark.
In May 1954, Eastwood made his first real audition for Six Bridges to Cross but was rejected by Joseph Pevney. After many unsuccessful auditions, he was eventually given a minor role by director Jack Arnold in Revenge of the Creature (1955), a sequel to the recently released Creature from the Black Lagoon. In September 1954, Eastwood worked for three weeks on Arthur Lubin's Lady Godiva of Coventry, won a role in February 1955, playing "Jonesy", a sailor in Francis in the Navy and appeared uncredited in another Jack Arnold film, Tarantula, where he played a squadron pilot. In May 1955, Eastwood put four hours' work into the film Never Say Goodbye and had a minor uncredited role as a ranch hand (his first western film) in August 1955 with Law Man, also known as Star in the Dust. Universal presented him with his first television role on July 2, 1955, on NBC's Allen in Movieland, which starred comedian Steve Allen, actor Tony Curtis and swing musician Benny Goodman. Although he continued to develop as an actor, Universal terminated his contract on October 23, 1955.
Eastwood was cast as Tom in Star in the Dust (1956) with Richard Boone. He joined the Marsh Agency, and although Lubin landed him his biggest role to date in The First Traveling Saleslady (1956) and later hired him for Escapade in Japan (1957), without a formal contract Eastwood was struggling. On his financial advisor Irving Leonard's advice, he switched to the Kumin-Olenick Agency in 1956 and Mitchell Gertz in 1957. He landed several small roles in 1956 as a temperamental army officer for a segment of ABC's Reader's Digest series, and as a motorcycle gang member on a Highway Patrol episode. In 1957, Eastwood played a cadet in West Point series and a suicidal gold prospector on Death Valley Days.
In 1958, he played a Navy lieutenant in a segment of Navy Log and in early 1959 made a notable guest appearance as Red Hardigan on Maverick opposite James Garner as a cowardly villain intent on marrying a rich girl for money. Eastwood had a small part as an aviator in Lafayette Escadrille (1958) and played a major role as an ex-renegade of the Confederacy in Ambush at Cimarron Pass (also 1958), a film Eastwood considers the low point of his career.
In 1958, Eastwood was cast as Rowdy Yates for the CBS hourlong western series Rawhide, the career breakthrough he had long sought. Eastwood was not especially happy with his character; Eastwood was almost 30, and Rowdy was too young and cloddish for Eastwood's comfort. Filming began in Arizona in the summer of 1958. It took just three weeks for Rawhide to reach the top 20 in TV ratings and although it never won an Emmy, it was a major success for several years, and peaked at number six in the ratings between October 1960 and April 1961. The Rawhide years (1959–65) were some of the most grueling of Eastwood's career, often filming six days a week for an average of 12 hours a day, but some directors still criticized him for not working hard enough. By late 1963, Rawhide was beginning to decline in the ratings and lack freshness in the scripts; it was canceled in the middle of the 1965–66 season. Eastwood made his first attempt at directing when he filmed several trailers for the show, but was unable to convince producers to let him direct an episode. In the show's first season Eastwood earned $750 an episode. At the time of Rawhide's cancellation, he received $119,000 an episode as severance pay.
Eastwood is an audiophile and owns an extensive collection of LPs which he plays on a Rockport turntable. He has had a strong passion for music all his life, particularly jazz and country and western music. He dabbled in music early on by developing as a boogie-woogie pianist and had originally intended to pursue a career in music by studying for a music theory degree after graduating from high school. In late 1959 he produced the album Cowboy Favorites, released on the Cameo label, which included some classics such as Bob Wills's "San Antonio Rose" and Cole Porter's "Don't Fence Me In". Despite his attempts to plug the album by going on a tour, it never reached the Billboard Hot 100. In 1963, Cameo producer Kal Mann told him that "he would never make it big as a singer". Nevertheless, during the off season of filming Rawhide, Eastwood and Paul Brinegar – sometimes joined by Sheb Wooley – toured rodeos, state fairs, and festivals. In 1962, their act, entitled Amusement Business Cavalcade of Fairs, earned them as much as $15,000 a performance. Eastwood has his own Warner Bros. Records-distributed imprint, Malpaso Records, as part of his deal with Warner Brothers. This deal was unchanged when Warner Music Group was sold by Time Warner to private investors. Malpaso Records, which has released all of the scores of Eastwood's films from The Bridges of Madison County onward, has also released the album of a 1996 jazz concert he hosted, titled Eastwood after Hours – Live at Carnegie Hall.
Eastwood starred in Escape from Alcatraz (1979), the last of his films directed by Siegel. It was based on the true story of Frank Lee Morris who, along with John and Clarence Anglin, escaped from the notorious Alcatraz Federal Penitentiary in 1962. The film was a major success; Stanley Kauffmann of The New Republic praised it as "crystalline cinema" and Frank Rich of Time described it as "cool, cinematic grace".
In late 1963, Eastwood's Rawhide co-star Eric Fleming rejected an offer to star in an Italian-made western called A Fistful of Dollars (1964), filmed in a remote region of Spain by a relatively unknown director, Sergio Leone. Richard Harrison suggested Eastwood to Leone because Harrison knew Eastwood could play a cowboy convincingly. Eastwood thought the film would be an opportunity to escape from his Rawhide image. He signed a contract for $15,000 in wages for eleven weeks' work, with a bonus of a Mercedes-Benz automobile upon completion. Eastwood later said of the transition from a TV western to A Fistful of Dollars: "In Rawhide I did get awfully tired of playing the conventional white hat. The hero who kisses old ladies and dogs and was kind to everybody. I decided it was time to be an antihero." Eastwood was instrumental in creating the Man with No Name character's distinctive visual style and, although a non-smoker, Leone insisted Eastwood smoke cigars as an essential ingredient of the "mask" he was attempting to create for the character.
In January 1966, Eastwood met producer Dino De Laurentiis in New York City and agreed to star in a non-Western five-part anthology production, The Witches (Le Streghe, 1967), opposite De Laurentiis's wife, Silvana Mangano. Eastwood's 19-minute installment took only a few days to shoot, but his performance did not please critics; one wrote, "no other performance of his is quite so 'un-Clintlike'." Two months later Eastwood began work on The Good, the Bad and the Ugly, again playing the mysterious Man with No Name. Lee Van Cleef returned as a ruthless fortune seeker, with Eli Wallach portraying the Mexican bandit Tuco Ramirez. The storyline involved the search for a cache of Confederate gold buried in a cemetery. During the filming of a scene in which a bridge was blown up, Eastwood urged Wallach to retreat to a hilltop. "I know about these things," he said. "Stay as far away from special effects and explosives as you can." Minutes later confusion among the crew over the word "Vaya!" resulted in a premature explosion that could have killed Wallach.
Before Hang 'Em High's release, Eastwood had already begun working on Coogan's Bluff (1968), about an Arizona deputy sheriff tracking a wanted psychopathic criminal (Don Stroud) through New York City. He was reunited with Universal Studios for it after receiving an offer of $1 million – more than double his previous salary. Jennings Lang arranged for Eastwood to meet Don Siegel, a Universal contract director who later became Eastwood's close friend, forming a partnership that would last more than ten years and produce five films. Shooting began in November 1967, before the script had been finalized. The film was controversial for its portrayal of violence. Coogan's Bluff also became the first collaboration with Argentine composer Lalo Schifrin, who scored several Eastwood films in the 1970s and 1980s, including the Dirty Harry films.
Following Sean Connery's announcement that he would not play James Bond again, Eastwood was offered the role but turned it down because he believed the character should be played by an English actor. He next starred in the loner Western Joe Kidd (1972), based on a character inspired by Reies Lopez Tijerina, who stormed a courthouse in Tierra Amarilla, New Mexico in June 1967. During filming, Eastwood suffered symptoms of a bronchial infection and several panic attacks. Joe Kidd received a mixed reception, with Roger Greenspun of The New York Times writing that it was unremarkable, with foolish symbolism and sloppy editing, although he praised Eastwood's performance.
The Dollars trilogy was not released in the United States until 1967, when A Fistful of Dollars opened on January 18, followed by For a Few Dollars More on May 10, and The Good, the Bad and the Ugly on December 29. All three were commercially successful, particularly The Good, the Bad and the Ugly, which eventually earned $8 million in rental earnings and turned Eastwood into a major film star being ranked for the first time on Quigley's Top Ten Money Making Stars Poll in 1968 in fifth place. All three received poor reviews, and marked the beginning of a battle for Eastwood to win American film critics' respect. Judith Crist described A Fistful of Dollars as "cheapjack," while Newsweek called For a Few Dollars More "excruciatingly dopey." Renata Adler of The New York Times said The Good, the Bad and the Ugly was "the most expensive, pious and repellent movie in the history of its peculiar genre." Time magazine drew attention to the film's wooden acting, especially Eastwood's, though a few critics such as Vincent Canby and Bosley Crowther of The New York Times praised his coolness. Leone's cinematography was widely acclaimed, even by critics who disparaged the acting.
Stardom brought Eastwood more roles. He signed to star in the American revisionist western Hang 'Em High (1968) alongside Inger Stevens, Pat Hingle, Dennis Hopper, Ed Begley, Alan Hale, Jr., Ben Johnson, Bruce Dern, and James MacArthur, playing a man who takes up a Marshal's badge and seeks revenge as a lawman after being lynched by vigilantes and left for dead. The film earned Eastwood $400,000 and 25% of its net box office. Using money earned from the Dollars trilogy, Eastwood's advisor Irving Leonard helped establish Eastwood's own production company, Malpaso Productions, named after Malpaso Creek on Eastwood's property in Monterey County, California. The 38-year-old actor was still relatively unknown as late as a month prior to the film's release, as evidenced by a July 1968 news item by syndicated columnist Dorothy Manners: "The proverbial man in the street is still asking, 'Who's Clint Eastwood?'" Leonard arranged for Hang 'Em High to be a joint production with United Artists; when it opened in August 1968, it had the largest opening weekend in United Artists' history. Hang 'Em High was widely praised by critics, including Archer Winsten of the New York Post, who called it "a western of quality, courage, danger and excitement."
Eastwood starred with Shirley MacLaine in the western Two Mules for Sister Sara (1970), directed by Don Siegel. The film follows an American mercenary, who becomes mixed up with a prostitute disguised as a nun, and ends up helping a group of Juarista rebels during the reign of Emperor Maximilian I of Mexico. Eastwood again played a mysterious stranger – unshaven, wearing a serape-like vest, and smoking a cigar. Although it received moderate reviews, the film is listed in The New York Times Guide to the Best 1,000 Movies Ever Made. Around the same time, Eastwood starred as one of a group of Americans who steals a fortune in gold from the Nazis, in the World War II film Kelly's Heroes (also 1970), with Donald Sutherland and Telly Savalas. Kelly's Heroes was the last film Eastwood appeared in that was not produced by his own Malpaso Productions. Filming commenced in July 1969 on location in Yugoslavia and in London. The film received mostly a positive reception and its anti-war sentiments were recognized. In the winter of 1969–70, Eastwood and Siegel began planning his next film, The Beguiled (1971), a tale of a wounded Union soldier, held captive by the sexually repressed matron (played by Geraldine Page) of a Southern girls' school. Upon release the film received major recognition in France and is considered one of Eastwood's finest works by French critics. However, it grossed less than $1 million and, according to Eastwood and Lang, flopped due to poor publicity and the "emasculated" role of Eastwood.
From the very early days of his career Eastwood was frustrated by directors' insistence that scenes be re-shot multiple times and perfected, and when he began directing in 1970, he made a conscious attempt to avoid any aspects of directing he had been indifferent to as an actor. As a result, Eastwood is renowned for his efficient film directing and ability to reduce filming time and control budgets. He usually avoids actors' rehearsing and prefers to complete most scenes on the first take. Eastwood's rapid filmmaking practices have been compared to those of Woody Allen, Ingmar Bergman, Jean-Luc Godard, and the Coen brothers. When acting in others' films he sometimes takes over directing, such as for The Outlaw Josey Wales, if he believes production is too slow. In preparation for filming Eastwood rarely uses storyboards for developing the layout of a shooting schedule. He also attempts to reduce script background details on characters to allow the audience to become more involved in the film, considering their imagination a requirement for a film that connects with viewers. Eastwood has indicated that he lays out a film's plot to provide the audience with necessary details, but not "so much that it insults their intelligence."
On July 21, 1970, Eastwood's father died of a heart attack at the age of 64. The death, described by Fritz Manes as "the only bad thing that ever happened to him in his life", came as a shock to Eastwood, since his grandfather had lived to be 92. It had a profound impact on Eastwood's life; from then on he became more productive, working with a greater sense of urgency and with more speed and efficiency on set. Although Eastwood had always been a health and fitness enthusiast, he became more so after his father's death. He abstained from hard liquor, adopted a more rigorous health regimen, and sought to stay fit. However, he still favored cold beer and opened a pub called the Hog's Breath Inn in Carmel-by-the-Sea in 1971. Eastwood eventually sold the pub and now owns the Mission Ranch Hotel and Restaurant, also located in Carmel-by-the-Sea.
Eastwood's career reached a turning point in 1971. Before Irving Leonard died, he and Eastwood had discussed the idea of Malpaso producing Play Misty for Me, a film that was to give Eastwood the artistic control he desired, and his debut as a director. The script was about a jazz disc jockey named Dave (Eastwood), who has a casual affair with Evelyn (Jessica Walter), a listener who had been calling the radio station repeatedly at night, asking him to play her favorite song – Erroll Garner's "Misty". When Dave ends their relationship, the unhinged Evelyn becomes a murderous stalker. Filming commenced in Monterey in September 1970 and included footage of that year's Monterey Jazz Festival. The film was highly acclaimed with critics, such as Jay Cocks in Time magazine, Andrew Sarris in the Village Voice, and Archer Winsten in the New York Post all praising the film, as well as Eastwood's directorial skills and performance. Walter was nominated for a Golden Globe Best Actress Award (Drama), for her performance in the film.
Dirty Harry (1971), written by Harry and Rita Fink, centers on a hard-edged New York City (later changed to San Francisco) police inspector named Harry Callahan who is determined to stop a psychotic killer by any means. Dirty Harry has been described as being arguably Eastwood's most memorable character, and the film has been credited with inventing the "loose-cannon cop" genre. Author Eric Lichtenfeld argues that Eastwood's role as Dirty Harry established the "first true archetype" of the action film genre. His lines (quoted above) are regarded by firearms historians, such as Garry James and Richard Venola, as the force that catapulted the ownership of .44 Magnum revolvers to new heights in the United States; specifically the Smith & Wesson Model 29 carried by Harry Callahan. Dirty Harry, released in December 1971, earned $22 million in the United States and Canada. It was Siegel's highest-grossing film and the start of a series of films featuring the character Harry Callahan. Although a number of critics praised Eastwood's performance as Dirty Harry, such as Jay Cocks who described him as "giving his best performance so far, tense, tough, full of implicit identification with his character," the film was also widely criticized as being fascistic. After having been second for the past two years, Eastwood was voted first in Quigley's Top Ten Money Making Stars Poll in 1972 and again in 1973.
He opened an old English-inspired pub called the Hog's Breath Inn in Carmel in 1971. Eastwood sold the pub in 1999 and now owns the Mission Ranch Hotel and Restaurant in Carmel-by-the-Sea.
Eastwood has contributed to over 50 films over his career as actor, director, producer, and composer. He has acted in several television series, including his co-starring role in Rawhide. He started directing in 1971, and made his debut as a producer in 1982, with Firefox, though he had been functioning as uncredited producer on all of his Malpaso Company films since Hang 'Em High in 1968. Eastwood also has contributed music to his films, either through performing, writing, or composing. He has mainly starred in western, action, and drama films. According to the box office–revenue tracking website Box Office Mojo, films featuring Eastwood have grossed a total of more than $1.81 billion domestically, with an average of $38.6 million per film.
In 1973, Eastwood told the film critic Gene Siskel, "No, I don't believe in God." Eastwood has said that he finds spirituality in nature (as suggested by his Western, Pale Rider, 1985), stating that "I was born during the Depression and I was brought up with no specific church. We moved every four or five months during the first 14 years of my life, so I was sent to a different church depending on wherever we lived. Most of them were Protestant, but I went to other churches because my parents wanted me to try to figure out things for myself. They always said, 'I just want to expose you to some religious order and see if that's something you like'. So although my religious training was not really specific, I do feel spiritual things. If I stand on the side of the Grand Canyon and look down, it moves me in some way."
Eastwood teamed up with Jeff Bridges and George Kennedy in the buddy action caper Thunderbolt and Lightfoot (1974), a road movie about a veteran bank robber Thunderbolt (Eastwood) and a young con man drifter, Lightfoot (Bridges). On its release, in spring 1974, the film was praised for its offbeat comedy mixed with high suspense and tragedy but was only a modest success at the box office, earning $32.4 million. Eastwood's acting was noted by critics, but was overshadowed by Bridges who was nominated for an Academy Award for Best Supporting Actor. Eastwood reportedly fumed at the lack of Academy Award recognition for him and swore that he would never work for United Artists again.
Eastwood's next film The Eiger Sanction (1975) was based on Trevanian's critically acclaimed spy novel of the same name. Eastwood plays Jonathan Hemlock in a role originally intended for Paul Newman, an assassin turned college art professor who decides to return to his former profession for one last "sanction" in return for a rare Pissarro painting. In the process he must climb the north face of the Eiger in Switzerland under perilous conditions. Mike Hoover taught Eastwood how to climb during several weeks of preparation at Yosemite in the summer of 1974 before filming commenced in Grindelwald, Switzerland on August 12, 1974. Despite prior warnings about the perils of the Eiger the film crew suffered a number of accidents, including one fatality. Despite the danger, Eastwood insisted on doing all his own climbing and stunts. Upon release in May 1975 The Eiger Sanction was marginally successful commercially, receiving $14.2 million at the box-office, and gained mixed reviews. Joy Gould Boyum of The Wall Street Journal dismissed the film as "brutal fantasy". Eastwood blamed Universal Studios for the film's poor promotion and turned his back on them to make an agreement with Warner Brothers, through Frank Wells, that has lasted to the present day.
Johnson evidently tolerated the open marriage with Eastwood, and eventually they had two children, Kyle (born 1968) and Alison (born 1972). In 1975, Eastwood and actress Sondra Locke began living together. Locke claimed that Eastwood sang "She Made Me Monogamous" to her and confided he'd "never been in love before." Nine years into their cohabitation, Eastwood officially divorced Maggie Johnson, but Locke remained married to husband Gordon Anderson for the rest of her life.
In 1975, Eastwood publicly proclaimed his participation in Transcendental Meditation when he appeared on The Merv Griffin Show with Maharishi Mahesh Yogi, the founder of Transcendental Meditation. He has meditated every morning for years.
Eastwood directed and starred in Honkytonk Man (1982), based on the eponymous Clancy Carlile's depression-era novel. Eastwood portrays a struggling western singer Red Stovall who suffers from tuberculosis, but has finally been given an opportunity to make it big at the Grand Ole Opry. He is accompanied by his young nephew (played by real-life son Kyle) to Nashville, Tennessee, where he is supposed to record a song. Only Time gave the film a good review in the United States, with most reviewers criticizing its blend of muted humor and tragedy. Nevertheless, the film received a more positive reception in France, where it was compared to John Ford's The Grapes of Wrath, and it has since acquired the very high rating of 93 percent on Rotten Tomatoes. Around the same time, Eastwood directed, produced, and starred in the Cold War-themed Firefox (also 1982). Based on a 1977 novel with the same name written by Craig Thomas, the film was shot before but released after Honkytonk Man. Russian filming locations were not possible due to the Cold War, and the film had to be shot in Vienna and other locations in Austria to simulate many of the Eurasian story locations. With a production cost of $20 million, it was Eastwood's highest budget film to that time. People magazine likened Eastwood's performance to "Luke Skywalker trapped in Dirty Harry's Soul".
Eastwood directed and played the title role in Bronco Billy (1980), alongside Locke, Scatman Crothers, and Sam Bottoms. Eastwood has cited Bronco Billy as being one of the most relaxed shoots of his career and biographer Richard Schickel argued that Bronco Billy is Eastwood's most self-referential character. The film was a commercial disappointment, but was liked by critics. Janet Maslin of The New York Times wrote that film was "the best and funniest Clint Eastwood movie in quite a while", and praised Eastwood's directing, intricately juxtaposing the old West and the new West. Released later in 1980, Any Which Way You Can, was the sequel to Every Which Way but Loose and also starring Eastwood. The film received a number of bad reviews from critics, although Maslin described it as "funnier and even better than its predecessor". In theaters over the Christmas season, Any Which Way You Can was a major box office success and ranked among the top five highest-grossing films of the year.
On August 22, 1984, Eastwood was honored at a ceremony at Grauman's Chinese theater to record his hand and footprints in cement. Eastwood received the AFI Life Achievement Award in 1996, and received an honorary degree from AFI in 2009. On December 6, 2006, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Eastwood into the California Hall of Fame located at The California Museum for History, Women, and the Arts.
Eastwood is a former Republican who has sometimes supported Democrats, and has long shown an interest in California politics; he is currently a registered Libertarian. He won election as the nonpartisan mayor of Carmel-by-the-Sea, California in April 1986. He earned $200 per month in that position which he donated to the Carmel Youth Center. While in office, he helped to make ice cream legal to consume on city streets, added public restrooms to the public beach, and a city library annex building was built. He served for two years and declined to run for a second term. In 2001, Governor Gray Davis appointed him to the California State Park and Recreation Commission, where he led opposition to an extension of the toll six-lane 26-kilometre (16 mi) freeway extension of California State Route 241 through San Onofre State Beach. Eastwood endorsed Mitt Romney in the 2012 presidential election. He delivered a prime time address at the 2012 Republican National Convention, where he drew attention for a speech he delivered to an empty chair representing President Barack Obama, which he later regretted. On February 22, 2020, Eastwood announced that he would be endorsing Democrat Mike Bloomberg in the 2020 presidential election. "The best thing we could do is just get Mike Bloomberg in there," Eastwood said. Eastwood said that he wishes that Trump would act "in a more genteel way, without tweeting and calling people names. I would personally like for him to not bring himself to that level."
In an unpublicized affair, Eastwood sired two legally fatherless children, Scott (born 1986) and Kathryn (born 1988) with Jacelyn Reeves, a flight attendant. When Locke and Eastwood separated in 1989, Locke filed a palimony lawsuit. In the early- to mid-1990s, Eastwood had a relationship with actress Frances Fisher that produced a daughter, Francesca (born 1993). Eastwood was married for the second time in 1996 to news anchor Dina Ruiz, who gave birth to their daughter Morgan that same year. Ruiz and Eastwood's marriage lasted until 2013. He has been seen with other women since then.
Eastwood directed and starred in White Hunter Black Heart (1990), an adaptation of Peter Viertel's roman à clef, about John Huston and the making of the classic film The African Queen. Shot on location in Zimbabwe in the summer of 1989, the film received some critical attention but with only a limited release earned just $8.4 million. Eastwood directed and co-starred with Charlie Sheen in The Rookie, a buddy cop action film released in December 1990. Critics found the film's plot and characterization unconvincing, but praised its action sequences. An ongoing lawsuit, in response to Eastwood allegedly ramming a woman's car, resulted in no Eastwood films being shown in cinemas in 1991. Eastwood won the suit and agreed to pay the complainant's legal fees if she did not appeal.
At the May 1994 Cannes Film Festival Eastwood received France's Ordre des Arts et des Lettres medal, and on March 27, 1995, he was awarded the Irving G. Thalberg Memorial Award at the 67th Academy Awards. His next film appearance was in a cameo role as himself in the children's film Casper (1995). He expanded his repertoire by playing opposite Meryl Streep in The Bridges of Madison County (also 1995). Based on the novel by Robert James Waller, the film relates the story of Robert Kincaid (Eastwood), a photographer working for National Geographic who, while photographing historic covered bridges in Iowa, meets and has an affair with an Italian-born farm wife, Francesca (Streep). Despite the novel receiving unfavorable reviews, The Bridges of Madison County film was a commercial and critical success. Roger Ebert wrote, "Streep and Eastwood weave a spell, and it is based on that particular knowledge of love and self that comes with middle age." The film was nominated for a Golden Globe for Best Picture and won a César Award in France for Best Foreign Film. Streep was also nominated for an Academy Award and a Golden Globe.
Eastwood directed and starred in the political thriller Absolute Power (1997), alongside Gene Hackman (with whom he had appeared in Unforgiven). Eastwood played the role of a veteran thief who witnesses the Secret Service cover-up of a murder. The film received a mixed reception from critics. Later in 1997, Eastwood directed Midnight in the Garden of Good and Evil, based on the novel by John Berendt and starring John Cusack, Kevin Spacey, and Jude Law. The film met with a mixed critical response.
Eastwood directed and starred in Space Cowboys (2000) alongside Tommy Lee Jones, Donald Sutherland and James Garner. Eastwood played one of a group of veteran ex-test pilots sent into space to repair an old Soviet satellite. The original music score was composed by Eastwood and Lennie Niehaus. Space Cowboys was critically well-received and holds a 79 percent rating at Rotten Tomatoes, although Roger Ebert wrote that the film was, "too secure within its traditional story structure to make much seem at risk." The film grossed more than $90 million in its United States release, more than Eastwood's two previous films combined. Eastwood played an ex-FBI agent chasing a sadistic killer (Jeff Daniels) in the thriller Blood Work (2002), loosely based on the 1998 novel of the same name by Michael Connelly. The film was a commercial failure, grossing just $26.2 million on an estimated budget of $50 million and received mixed reviews, with Rotten Tomatoes describing it as, "well-made but marred by lethargic pacing". Eastwood did, however, win the Future Film Festival Digital Award at the Venice Film Festival for the film.
Eastwood composed the film scores of Mystic River, Million Dollar Baby, Flags of Our Fathers, Grace Is Gone, Changeling, Hereafter, J. Edgar, and the original piano compositions for In the Line of Fire. He wrote and performed the song heard over the credits of Gran Torino and also co-wrote "Why Should I Care" with Linda Thompson and Carole Bayer Sager, a song recorded in 1999 by Diana Krall.
Eastwood directed and scored the crime drama Mystic River (2003), a film dealing with themes of murder, vigilantism and sexual abuse and starring Sean Penn, Kevin Bacon and Tim Robbins. The film was praised by critics and won two Academy Awards – Best Actor for Penn and Best Supporting Actor for Robbins – with Eastwood garnering nominations for Best Director and Best Picture. The film grossed $90 million domestically on a budget of $30 million. In 2003 Eastwood was named Best Director of the Year by the National Society of Film Critics.
Eastwood has been recognized with multiple awards and nominations for his work in film, television, and music. His widest reception has been in film work, for which he has received Academy Awards, Directors Guild of America Awards, Golden Globe Awards, and People's Choice Awards, among others. Eastwood is one of only two people to have been twice nominated for Best Actor and Best Director for the same film (Unforgiven and Million Dollar Baby) the other being Warren Beatty (Heaven Can Wait and Reds). Along with Beatty, Robert Redford, Richard Attenborough, Kevin Costner, and Mel Gibson, he is one of the few directors best known as an actor to win an Academy Award for directing. On February 27, 2005, he became one of only three living directors (along with Miloš Forman and Francis Ford Coppola) to have directed two Best Picture winners. At the age of 74, he was the oldest recipient of the Academy Award for Best Director to date. Eastwood has directed five actors in Academy Award-winning performances: Gene Hackman in Unforgiven, Tim Robbins and Sean Penn in Mystic River, and Morgan Freeman and Hilary Swank in Million Dollar Baby.
Eastwood directed two films about World War II's Battle of Iwo Jima released In 2006. The first, Flags of Our Fathers, focused on the men who raised the American flag on top of Mount Suribachi and featured the film debut of Eastwood's son Scott. This was followed by Letters from Iwo Jima, which dealt with the tactics of the Japanese soldiers on the island and the letters they wrote home to family members. Letters from Iwo Jima was the first American film to depict a war issue completely from the view of an American enemy. Both films received praise from critics and garnered several nominations at the 79th Academy Awards, including Best Director, Best Picture, and Best Original Screenplay for Letters from Iwo Jima. At the 64th Golden Globe Awards Eastwood received nominations for Best Director in both films. Letters from Iwo Jima won the award for Best Foreign Language Film.
Eastwood has also been awarded at least three honorary degrees from universities and colleges, including an honorary degree from the University of the Pacific in 2006, an honorary Doctor of Humane Letters from the University of Southern California on May 27, 2007, and an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival on September 22, 2007.
The music in Grace Is Gone received two Golden Globe nominations by the Hollywood Foreign Press Association for the 65th Golden Globe Awards. Eastwood was nominated for Best Original Score, while the song "Grace is Gone" with music by Eastwood and lyrics by Carole Bayer Sager was nominated for Best Original Song. It won the Satellite Award for Best Song at the 12th Satellite Awards. Changeling was nominated for Best Score at the 14th Critics' Choice Awards, Best Original Score at the 66th Golden Globe Awards, and Best Music at the 35th Saturn Awards. On September 22, 2007, Eastwood was awarded an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival, on which he serves as an active board member. Upon receiving the award he gave a speech claiming, "It's one of the great honors I'll cherish in this lifetime."
In early 2007, Eastwood was presented with the highest civilian distinction in France, Légion d'honneur, at a ceremony in Paris. French President Jacques Chirac told Eastwood that he embodied "the best of Hollywood." In October 2009, he was honored by the Lumière Award (in honor of the Lumière Brothers, inventors of the Cinematograph) during the first edition of the Lumière Film Festival in Lyon, France. This award honors his entire career and his major contribution to the 7th Art. In February 2010, Eastwood was recognized by President Barack Obama with an arts and humanities award. Obama described Eastwood's films as "essays in individuality, hard truths and the essence of what it means to be American."
Eastwood revisited the western genre in Unforgiven (1992), a film which he directed and starred in as an aging ex-gunfighter long past his prime. Scripts existed for the film as early as 1976 under titles such as The Cut-Whore Killings and The William Munny Killings but Eastwood delayed the project because he wanted to wait until he was old enough to play his character and to savor it as the last of his western films. Unforgiven was a major commercial and critical success; Jack Methews of the Los Angeles Times described it as "the finest classical western to come along since perhaps John Ford's 1956 The Searchers. The film was nominated for nine Academy Awards, (including Best Actor for Eastwood and Best Original Screenplay for David Webb Peoples) and won four, including Best Picture and Best Director for Eastwood. In June 2008 Unforgiven was ranked as the fourth-best American western, behind Shane, High Noon, and The Searchers, in the American Film Institute's "AFI's 10 Top 10" list.
Eastwood ended a four-year "self-imposed acting hiatus" by appearing in Gran Torino (also 2008), which he also directed, produced and partly scored with his son Kyle and Jamie Cullum. Biographer Marc Eliot called Eastwood's role "an amalgam of the Man with No Name, Dirty Harry, and William Munny, here aged and cynical but willing and able to fight on whenever the need arose". Gran Torino grossed almost $30 million during its opening weekend release in January 2009, the highest of his career as an actor or director. Gran Torino eventually grossed over $268 million in theaters worldwide, becoming the highest-grossing film of Eastwood's career so far (without adjustment for inflation).
On July 22, 2009, Eastwood was honored by Emperor Akihito of Japan with the Order of the Rising Sun, 3rd class, Gold Rays with Neck Ribbon for his contributions to the enhancement of Japan–United States relations.
In the Eastwood-directed Hereafter (2010), he again worked with Matt Damon, who portrayed a psychic. The film had its world premiere on September 12, 2010 at the 2010 Toronto International Film Festival and had a limited release later in October. Hereafter received mixed reviews from critics, with the consensus at Rotten Tomatoes being, "Despite a thought-provoking premise and Clint Eastwood's typical flair as director, Hereafter fails to generate much compelling drama, straddling the line between poignant sentimentality and hokey tedium." Around the same time, Eastwood served as executive producer for a Turner Classic Movies (TCM) documentary about jazz pianist Dave Brubeck, Dave Brubeck: In His Own Sweet Way (also 2010), to commemorate Brubeck's 90th birthday.
In 2010 at age 80, Eastwood spent approximately $20 million to build himself a 15,949-square-foot compound in Carmel-by-the-Sea. His California real estate portfolio also includes a 6,136-square-foot Spanish style mansion in Bel-Air, the 1,067.5 acre Rising River Ranch in Burney, an apartment in Burbank, as well as a large but understated house located next door to his longtime primary Bel-Air residence. Eastwood is known to have purchased property in two other states. He owns a 5,700-square-foot house in Sun Valley, Idaho and a 1.13-acre, oceanfront manor in Kihei, Hawaii. The latter was featured in an episode of the 2012 reality show Mrs. Eastwood & Company.
Eastwood next directed Jersey Boys (2014), a musical biography based on the Tony Award-winning Broadway musical. The film told the story of the musical group The Four Seasons. Eastwood directed American Sniper (also 2014), a film adaptation of Chris Kyle's eponymous memoir, following Steven Spielberg's departure from the project. The film was released on December 25, 2014. American Sniper grossed more than $350 million domestically and over $547 million globally, making it one of Eastwood's biggest movies commercially. His next film, Sully, starred Tom Hanks as Chesley Sullenberger, who successfully landed the US Airways Flight 1549 on the Hudson River in an emergency landing, keeping all passengers on board alive. Released in the United States in September 2016, it became another commercial success for Eastwood, grossing over $238 million worldwide. He directed the biographical thriller The 15:17 to Paris (2018), which saw previously non-professional actors Spencer Stone, Anthony Sadler and Alek Skarlatos playing themselves as they stop the 2015 Thalys train attack. The film received a generally negative reception from critics, who were largely critical of the acting by the three leads. Eastwood next starred in and directed The Mule, which was released in December 2018. He played Earl Stone, an elderly drug smuggler based on Leo Sharp, Eastwood's first acting role since Trouble with the Curve in 2012.
On May 24, 2019, it was announced that Eastwood would direct The Ballad of Richard Jewell, based on the life of heroic security guard Richard Jewell, who was wrongly suspected in the 1996 Olympic bombing. Later retitled simply Richard Jewell, Eastwood directed and produced the film, through Warner Bros., his tenth straight film with the company. Jonah Hill and Leonardo DiCaprio were originally set to star in the film in 2014, when it was to be directed by Paul Greengrass, but DiCaprio and Hill would ultimately serve only as producers on Eastwood's film. The film stars Paul Walter Hauser in the titular role, along with Sam Rockwell, Kathy Bates, Jon Hamm, and Olivia Wilde in supporting roles. Filming began on June 24, 2019, and Richard Jewell was released on December 13, 2019.
On October 2, 2020, it was announced that Eastwood would direct, produce, and star in an adaptation of the 1975 novel Cry Macho for Warner Bros. Pictures. Production of the film began in New Mexico on November 4, 2020 and is set to conclude on December 16, 2020.
Currently, Clint Eastwood is 91 years, 1 months and 23 days old. Clint Eastwood will celebrate 92nd birthday on a Tuesday 31st of May 2022.
Find out about Clint Eastwood birthday activities in timeline view here.