D. H. Lawrence
Name: D. H. Lawrence
Occupation: Writer
Gender: Male
Birth Day: September 11, 1885
Death Date: 2 March 1930(1930-03-02) (aged 44)
Vence, France
Age: Aged 44
Birth Place: Eastwood, British
Zodiac Sign: Libra

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D. H. Lawrence

D. H. Lawrence was born on September 11, 1885 in Eastwood, British (44 years old). D. H. Lawrence is a Writer, zodiac sign: Libra. Nationality: British. Approx. Net Worth: Undisclosed.

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As per our current Database, D. H. Lawrence died on 2 March 1930(1930-03-02) (aged 44)
Vence, France.


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The young Lawrence attended Beauvale Board School (now renamed Greasley Beauvale D. H. Lawrence Primary School in his honour) from 1891 until 1898, becoming the first local pupil to win a county council scholarship to Nottingham High School in nearby Nottingham. He left in 1901, working for three months as a junior clerk at Haywood's surgical appliances factory, but a severe bout of pneumonia ended this career. During his convalescence he often visited Hagg's Farm, the home of the Chambers family, and began a friendship with Jessie Chambers. An important aspect of this relationship with Chambers and other adolescent acquaintances was a shared love of books, an interest that lasted throughout Lawrence's life.


Lawrence wrote almost 800 poems, most of them relatively short. His first poems were written in 1904 and two of his poems, "Dreams Old" and "Dreams Nascent", were among his earliest published works in The English Review. It has been claimed that his early works clearly place him in the school of Georgian poets, and indeed some of his poems appear in the Georgian Poetry anthologies. However, James Reeves in his book on Georgian Poetry, notes that Lawrence was never really a Georgian poet. Indeed, later critics contrast Lawrence's energy and dynamism with the complacency of Georgian poetry.


In the years 1902 to 1906 Lawrence served as a pupil-teacher at the British School, Eastwood. He went on to become a full-time student and received a teaching certificate from University College, Nottingham (then an external college of University of London), in 1908. During these early years he was working on his first poems, some short stories, and a draft of a novel, Laetitia, which was eventually to become The White Peacock. At the end of 1907 he won a short story competition in the Nottinghamshire Guardian, the first time that he had gained any wider recognition for his literary talents.


Shortly after the final proofs of his first published novel, The White Peacock, appeared in 1910, Lawrence's mother died of cancer. The young man was devastated, and he was to describe the next few months as his "sick year". Due to Lawrence's close relationship with his mother, his grief became a major turning point in his life, just as the death of his character, Mrs. Morel, is a major turning point in his autobiographical novel Sons and Lovers, a work that draws upon much of the writer's provincial upbringing. Essentially concerned with the emotional battle for Lawrence's love between his mother and "Miriam" (in reality Jessie Chambers), the novel also documents Lawrence's (through his protagonist, Paul) brief intimate relationship with Chambers that Lawrence had finally initiated in the Christmas of 1909, ending it in August 1910. The hurt this caused Chambers and finally, by her portrayal in the novel ended their friendship; after it was published, they never spoke again.


In 1911, Lawrence was introduced to Edward Garnett, a publisher's reader, who acted as a mentor and became a valued friend, as did his son David. Throughout these months, the young author revised Paul Morel, the first draft of what became Sons and Lovers. In addition, a teaching colleague, Helen Corke, gave him access to her intimate diaries about an unhappy love affair, which formed the basis of The Trespasser, his second novel. In November 1911, Lawrence came down with a pneumonia again; once recovered, he abandoned teaching in order to become a full-time writer. In February 1912, he broke off an engagement to Louie Burrows, an old friend from his days in Nottingham and Eastwood.


In March 1912, Lawrence met Frieda Weekley (née von Richthofen), with whom he was to share the rest of his life. Six years his senior, she was married to Ernest Weekley, his former modern languages professor at University College, Nottingham, and had three young children. However, she and Lawrence eloped and left England for Frieda's parents' home in Metz, a garrison town (then in Germany) near the disputed border with France. Lawrence experienced his first encounter with tensions between Germany and France when he was arrested and accused of being a British spy, before being released following an intervention from Frieda's father. After this incident, Lawrence left for a small hamlet to the south of Munich where he was joined by Frieda for their "honeymoon", later memorialised in the series of love poems titled Look! We Have Come Through (1917). During 1912 Lawrence wrote the first of his so-called "mining plays", The Daughter-in-Law, written in Nottingham dialect. The play was never to be performed, or even published, in Lawrence's lifetime.


From Germany, they walked southwards across the Alps to Italy, a journey that was recorded in the first of his travel books, a collection of linked essays titled Twilight in Italy and the unfinished novel, Mr Noon. During his stay in Italy, Lawrence completed the final version of Sons and Lovers. Having become so tired of the manuscript, he allowed Edward Garnett to cut ro 100 pages from the text. The novel was published in 1913 and hailed as a vivid portrait of the realities of working class provincial life.

Lawrence and Frieda returned to Britain in 1913 for a short visit, during which they encountered and befriended critic John Middleton Murry and New Zealand-born short story writer Katherine Mansfield.

Lawrence wrote A Collier's Friday Night about 1906–1909, though it was not published till 1939 and not performed till 1965; The Daughter-in-Law in 1913, although it was not staged till 1967, when it was well received. In 1911 he wrote The Widowing of Mrs. Holroyd, which he revised in 1914; it was staged in the US in 1916 and in the UK in 1920, in an amateur production. It was filmed in 1976; an adaptation was shown on television (BBC 2) in 1995. He also wrote Touch and Go towards the end of the First World War and his last play, David, in 1925, in the US.


Eventually, Frieda obtained her divorce from Ernest Weekley. Lawrence and Frieda returned to Britain shortly before the outbreak of World War I and were legally married on 13 July 1914. During this time, Lawrence worked with London intellectuals and writers such as Dora Marsden, T. S. Eliot, Ezra Pound, and others who worked with The Egoist, an important Modernist literary magazine that published some of his work. Lawrence also worked on adapting Filippo Tommaso Marinetti's Manifesto of Futurism into English. He also met the young Jewish artist Mark Gertler, with whom he became good friends for a time; Lawrence would later express his admiration for Gertler's 1916 anti-war painting, Merry-Go-Round as "the best modern picture I have seen. . . it is great and true." Gertler would inspire the character Loerke (a sculptor) in Women in Love.

Lawrence's best-known short stories include "The Captain's Doll", "The Fox", "The Ladybird", "Odour of Chrysanthemums", "The Princess", "The Rocking-Horse Winner", "St Mawr", "The Virgin and the Gypsy" and "The Woman who Rode Away". (The Virgin and the Gypsy was published as a novella after he died.) Among his most praised collections is The Prussian Officer and Other Stories, published in 1914. His collection The Woman Who Rode Away and Other Stories, published in 1928, develops the theme of leadership that Lawrence also explored in novels such as Kangaroo and The Plumed Serpent and the story Fanny and Annie.


Frieda's German parentage and Lawrence's open contempt for militarism caused them to be viewed with suspicion and live in near-destitution during wartime Britain; this may have contributed to The Rainbow being suppressed and investigated for its alleged obscenity in 1915. Later, the couple were accused of spying and signaling to German submarines off the coast of Cornwall, where they lived at Zennor. During this period, Lawrence finished his final draft of Women in Love. Not published until 1920, it is now widely recognized as a novel of great dramatic force and intellectual subtlety.


In late 1917, after constant harassment by the armed forces authorities, Lawrence was forced to leave Cornwall at three days’ notice under the terms of the Defence of the Realm Act. This persecution was later described in an autobiographical chapter of his novel Kangaroo (1923). Lawrence spent a few months of early 1918 in the small, rural village of Hermitage near Newbury, Berkshire. Subsequently, he lived for just under a year (mid-1918 to early 1919) at Mountain Cottage, Middleton-by-Wirksworth, Derbyshire, where he wrote one of his most poetic short stories, “Wintry Peacock”. Until 1919, poverty compelled him to shift from address to address.

While in the US, Lawrence rewrote and published Studies in Classic American Literature, a set of critical essays begun in 1917 and later described by Edmund Wilson as "one of the few first-rate books that have ever been written on the subject". These interpretations, with their insights into symbolism, New England Transcendentalism and the Puritan sensibility, were a significant factor in the revival of the reputation of Herman Melville during the early 1920s. In addition, Lawrence completed a number of new fictional works, including The Boy in the Bush, The Plumed Serpent, St Mawr, The Woman who Rode Away, The Princess and other short stories. He also produced the collection of linked travel writing that became Mornings in Mexico.


After the wartime years, Lawrence began what he termed his "savage pilgrimage", a time of voluntary exile from his native country. He escaped from Britain at the earliest practical opportunity and returned only twice for brief visits, spending the remainder of his life travelling with Frieda. This wanderlust took him to Australia, Italy, Ceylon (Sri Lanka), the United States, Mexico and the South of France. Abandoning Britain in November 1919, they headed south, first to the Abruzzo region in central Italy and then onwards to Capri and the Fontana Vecchia in Taormina, Sicily. From Sicily they made brief excursions to Sardinia, Monte Cassino, Malta, Northern Italy, Austria and Southern Germany.


Lawrence is often considered one of the finest travel writers in English. Sea and Sardinia describes a brief journey undertaken in January 1921, and focuses on the life of Sardinia’s people. Less well-known is his introduction to Maurice Magnus's, Memoirs of the Foreign Legion, in which Lawrence recalls his visit to the monastery of Monte Cassino.


The Lawrences finally arrived in the United States in September 1922. Lawrence had several times discussed the idea of setting up a utopian community with several of his friends, having written in 1915 to Willie Hopkin, his old socialist friend from Eastwood:


It was with this in mind that they made for Taos, New Mexico, a Pueblo town where many white “bohemians” had settled, including Mabel Dodge Luhan, a prominent socialite. Here they eventually acquired the 160-acre (0.65 km) Kiowa Ranch, now called the D. H. Lawrence Ranch, in 1924 from Dodge Luhan in exchange for the manuscript of Sons and Lovers. The couple stayed in New Mexico for two years, with extended visits to Lake Chapala and Oaxaca in Mexico. While Lawrence was in New Mexico, he was visited by Aldous Huxley.


A brief voyage to England at the end of 1923 was a failure and Lawrence soon returned to Taos, convinced his life as an author now lay in the United States. However, in March 1925 he suffered a near fatal attack of malaria and tuberculosis while on a third visit to Mexico. Although he eventually recovered, the diagnosis of his condition obliged him to return once again to Europe. He was dangerously ill and the poor health limited his ability to travel for the remainder of his life. The Lawrences made their home in a villa in Northern Italy, living near Florence while he wrote The Virgin and the Gipsy and the various versions of Lady Chatterley's Lover (1928). The latter book, his last major novel, was initially published in private editions in Florence and Paris and reinforced his notoriety. A story set once more in Nottinghamshire about a cross-class relationship between a Lady and her gamekeeper, it broke new ground in describing their sexual relationship in explicit yet literary language. Lawrence hoped to challenge the British taboos around sex: to enable men and women "…to think sex, fully, completely, honestly, and cleanly." Lawrence responded robustly to those who took offense, even publishing satirical poems ("Pansies" and "Nettles") as well as a tract on Pornography and Obscenity.


The return to Italy allowed him to renew old friendships; during these years he was particularly close to Aldous Huxley, who was to edit the first collection of Lawrence's letters after his death, along with a memoir. After Lawrence visited a number of local archaeological sites (particularly old tombs) with artist Earl Brewster in April 1927, his collected essays inspired by the excursions were published as Sketches of Etruscan Places, a book that contrasts the lively past with Benito Mussolini's fascism. Lawrence continued to produce short stories and other works of fiction such as The Escaped Cock (also published as The Man Who Died), an unorthodox reworking of the story of Jesus Christ's Resurrection.


Lawrence rewrote some of his early poems when they were collected in 1928. This was in part to fictionalise them, but also to remove some of the artifice of his first works. As he put it himself: "A young man is afraid of his demon and puts his hand over the demon's mouth sometimes and speaks for him." His best-known poems are probably those dealing with nature such as those in the collection Birds, Beasts and Flowers, including the Tortoise poems, and "Snake", one of his most frequently anthologised, displays some of his most frequent concerns: those of man's modern distance from nature and subtle hints at religious themes.

A heavily censored abridgement of Lady Chatterley's Lover was published in the United States by Alfred A. Knopf in 1928. This edition was posthumously re-issued in paperback there both by Signet Books and by Penguin Books in 1946. When the full unexpurgated edition of Lady Chatterley's Lover was published by Penguin Books in Britain in 1960, the trial of Penguin under the Obscene Publications Act of 1959 became a major public event and a test of the new obscenity law. The 1959 act (introduced by Roy Jenkins) had made it possible for publishers to escape conviction if they could show that a work was of literary merit. One of the objections was to the frequent use of the word "fuck" and its derivatives and the word "cunt".


During his final years, Lawrence renewed his serious interest in oil painting. Official harassment persisted and an exhibition of his paintings at the Warren Gallery in London was raided by the police in mid 1929 and a number of works were confiscated.

It is worth noting that Lawrence was very interested in the sense of touch and that his focus on physical intimacy has its roots in a desire to restore an emphasis on the body, and re-balance it with what he perceived to be Western civilisation's over-emphasis on the mind; writing in a 1929 essay "Men Must Work and Women As Well", he stated,

D. H. Lawrence had a lifelong interest in painting, which became one of his main forms of expression in his last years. His paintings were exhibited at the Warren Gallery in London's Mayfair in 1929. The exhibition was extremely controversial, with many of the 13,000 people visiting mainly to gawk. The Daily Express claimed, "Fight with an Amazon represents a hideous, bearded man holding a fair-haired woman in his lascivious grip while wolves with dripping jaws look on expectantly, [this] is frankly indecent". However, several artists and art experts praised the paintings. Gwen John, reviewing the exhibition in Everyman, spoke of Lawrence's "stupendous gift of self-expression" and singled out The Finding of Moses, Red Willow Trees and Boccaccio Story as "pictures of real beauty and great vitality". Others singled out Contadini for special praise. After a complaint, the police seized thirteen of the twenty-five paintings (including Boccaccio Story and Contadini). Despite declarations of support from many writers, artists and Members of Parliament, Lawrence was able to recover his paintings only by agreeing never to exhibit them in England again. The largest collection of the paintings is now at La Fonda de Taos hotel in Taos, New Mexico. Several others, including Boccaccio Story and Resurrection, are at the Humanities Research Centre of the University of Texas at Austin.


Lawrence continued to write despite his failing health. In his last months he wrote numerous poems, reviews and essays, as well as a robust defence of his last novel against those who sought to suppress it. His last significant work was a reflection on the Book of Revelation, Apocalypse. After being discharged from a sanatorium, he died on 2 March 1930 at the Villa Robermond in Vence, France, from complications of tuberculosis. Frieda commissioned an elaborate headstone for his grave bearing a mosaic of his adopted emblem of the phoenix. After Lawrence's death, Frieda lived with the couple's friend Angelo Ravagli on their Taos ranch and eventually married him in 1950. In 1935, Ravagli arranged, on Frieda's behalf, to have Lawrence's body exhumed and cremated and his ashes brought back to the ranch to be interred there in a small chapel amid the mountains of New Mexico.

Although Lawrence's works after his Georgian period are clearly in the modernist tradition, they were often very different from those of many other modernist writers, such as Pound. Pound's poems were often austere, with every word carefully worked on. Lawrence felt all poems had to be personal sentiments, and that a sense of spontaneity was vital. He called one collection of poems Pansies, partly for the simple ephemeral nature of the verse, but also as a pun on the French word panser, to dress or bandage a wound. "Pansies", as he made explicit in the introduction to New Poems, is also a pun on Blaise Pascal's Pensées. "The Noble Englishman" and "Don't Look at Me" were removed from the official edition of Pansies on the grounds of obscenity, which wounded him. Even though he lived most of the last ten years of his life abroad, his thoughts were often still on England. Published in 1930, just eleven days after his death, his last work Nettles was a series of bitter, nettling but often wry attacks on the moral climate of England.

The obituaries shortly after Lawrence's death were, with the exception of the one by E. M. Forster, unsympathetic or hostile. However, there were those who articulated a more favourable recognition of the significance of this author's life and works. For example, his long-time friend Catherine Carswell summed up his life in a letter to the periodical Time and Tide published on 16 March 1930. In response to his critics, she wrote:


Aldous Huxley also defended Lawrence in his introduction to a collection of letters published in 1932. However, the most influential advocate of Lawrence's literary reputation was Cambridge literary critic F. R. Leavis, who asserted that the author had made an important contribution to the tradition of English fiction. Leavis stressed that The Rainbow, Women in Love, and the short stories and tales were major works of art. Later, the obscenity trials over the unexpurgated edition of Lady Chatterley's Lover in America in 1959, and in Britain in 1960, and subsequent publication of the full text, ensured Lawrence's popularity (and notoriety) with a wider public.


Editor and book designer Merle Armitage wrote a book about D. H. Lawrence in New Mexico. Taos Quartet in Three Movements was originally to appear in Flair Magazine, but the magazine folded before its publication. This short work describes the tumultuous relationship of D. H. Lawrence, his wife Frieda, artist Dorothy Brett and Mabel Dodge Sterne. Armitage took it upon himself to print 16 hardcover copies of this work for his friends. Richard Pousette-Dart executed the drawings for Taos Quartet, published in 1950.


Despite often writing about political, spiritual and philosophical matters, Lawrence was essentially contrary by nature and hated to be pigeon-holed. Critics such as Terry Eagleton have argued that Lawrence was right-wing due to his lukewarm attitude to democracy, which he intimated would tend towards the levelling down of society and the subordination of the individual to the sensibilities of the ‘average’ man. In his letters to Bertrand Russell around the year 1915, Lawrence voiced his opposition to enfranchising the working class and his hostility to the burgeoning labour movements, and disparaged the French Revolution, referring to "Liberty, Equality, and Fraternity" as the "three-fanged serpent". Rather than a republic, Lawrence called for an absolute dictator and equivalent dictatrix to lord over the lower peoples. In 1953, recalling his relationship with Lawrence in the First World War, Russell characterised Lawrence as a "proto-German Fascist", saying "I was a firm believer in democracy, whereas he had developed the whole philosophy of Fascism before the politicians had thought of it." Russell felt Lawrence to be a positive force for evil. In 1924 Lawrence wrote an epilogue to Movements in European History (a text book he wrote, originally published in 1921) in which he denounced fascism and Soviet-style socialism as bullying and “a mere worship of Force”. Further, he declared “… I believe a good form of socialism, if it could be brought about, would be the best form of government.” In the late 1920s, he told his sister he would vote Labour if he was living back in England. In general though, Lawrence disliked any organised groupings, and in his essay Democracy written in the late twenties, he argued for a new kind of democracy in which,


Various academic critics and experts of diverse kinds, including E. M. Forster, Helen Gardner, Richard Hoggart, Raymond Williams and Norman St John-Stevas, were called as witnesses, and the verdict, delivered on 2 November 1960, was "not guilty". This resulted in a far greater degree of freedom for publishing explicit material in the UK. The prosecution was ridiculed for being out of touch with changing social norms when the chief prosecutor, Mervyn Griffith-Jones, asked if it were the kind of book "you would wish your wife or servants to read".


The Penguin second edition, published in 1961, contains a publisher's dedication, which reads: "For having published this book, Penguin Books were prosecuted under the Obscene Publications Act, 1959 at the Old Bailey in London from 20 October to 2 November 1960. This edition is therefore dedicated to the twelve jurors, three women and nine men, who returned a verdict of 'Not Guilty' and thus made D. H. Lawrence's last novel available for the first time to the public in the United Kingdom."


Since 2008, an annual D. H. Lawrence Festival has been organised in Eastwood to celebrate Lawrence's life and works; in September 2016, events were held in Cornwall to celebrate the centenary of Lawrence's connection with Zennor.

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