Herman Brood was born in Zwolle, and started playing the piano at age 12. He founded beat band The Moans in 1964, which would later become Long Tall Ernie and the Shakers. Brood was asked to play with Cuby and the Blizzards, but was removed by management when the record company discovered he used drugs. For a number of years Brood was in jail (for dealing LSD), or abroad, and had a number of short-term engagements (with The Studs, the Flash & Dance Band, Vitesse).

In 1976, Brood started his own group, Herman Brood & His Wild Romance, (and started work with photographer Anton Corbijn) initially with Ferdi Karmelk (guitar), Gerrit Veen (bass), Peter Walrecht (drums), and Ellen Piebes and Ria Ruiters (vocals). They played the club and bar circuit, first in Groningen (the northeasternmost province of the Netherlands.) In 1977 the band released their first album, Street.

The band now played all over the Netherlands, playing as many gigs as possible. And Herman’s drug habit became public domain: In 1977 for instance the Wild Romance played a gig in a high school in Almelo, the Christelijk Lyceum; during the break Brood was caught on the toilet taking heroin or speed (there are different reports on the type of drug, but it is a well-known story amongst former students), the rest of the concert was cancelled, and this also was the last time a rock concert took place at this school for many years.

Brood’s outspoken statements in the press about sex and drug use brought him into the Dutch public arena even more than his music. He was romantically involved with the German singer Nina Hagen, with whom he appeared in the 1979 film Cha-Cha. He is reputed to be the subject of her song “Herrmann Hiess Er” (English title “Herrmann Was His Name”) from the 1979 Unbehagen album, a song about a drug addict. Brood relished the media attention and became the most famous hard drug user in the Netherlands. “It is quite common for an artist to use drugs, but not for him to tell everybody. I admit that it scared me that my popularity could make people start using drugs,” he once said in an interview.

In the summer of 1979, Brood tried to enter the American market, with support from Ariola’s US division, which was attempting to expand into rock music. Following on the success of Shpritsz, the band was booked as a support act for The Kinks and The Cars, playing in auditoriums; “Herman Brood and His Wild Romance Tour Cha Cha ’79” headlined in New York (Bottom Line) and Los Angeles (Roxy). A re-recorded version of “Saturday Night” peaked at number 35 in the Billboard Hot 100, but the big break Brood hoped for didn’t happen. When he returned to the Netherlands in October 1979, his band had begun to fall apart, and soon his popularity went downhill. Go Nutz, the album Brood had recorded while in the States, and the movie Cha-Cha, which finally premiered in December 1979, were considered artistic failures, even though Go Nutz produced three charting singles in the Netherlands and the Cha Cha soundtrack attained platinum status. The 1980 album Wait a Minute… was a minor success, but the follow-up albums Modern Times Revive (1981) and Frisz & Sympatisz (1982) failed to make the Dutch album charts.

Brood continued to record throughout the 1980s and had a few hits—a top-10 single, “Als Je Wint” with Henny Vrienten, and a minor hit with a reggae song, “Tattoo Song,” but he spent more and more time on his art work. At the end of the ’80s he made a comeback of sorts; Yada Yada (1988), produced by George Kooymans, was well-received, and he toured Germany with a renewed Wild Romance (which saw the return of Dany Lademacher). In 1990, he won the BV Popprijs, one of the highest Dutch awards for popular music, and recorded Freeze with Clarence Clemons of the E Street Band and Tejano accordion player Flaco Jiménez. A live “best of” album, Saturday Night Live, appeared in 1992. His 50th birthday, in 1996, was celebrated with a show at the Paradiso music and cultural center in Amsterdam, and the album (of duets) was released the same year.

Toward the end of his life, Brood vowed to abstain from most drugs, reducing his drug use to alcohol and a daily shot of speed (“2 grams per day”). On 11 July 2001, depressed by the failure of his drug rehabilitation program and facing serious medical problems because of his prolonged drug use, he died by suicide by jumping from the roof of the Amsterdam Hilton Hotel at the age of 54. He left a note, stating “Party on. I’ll be seeing you.”

On 5 November 2006 the Groninger Museum opened an exposition devoted to Herman Brood’s life and work, comprising paintings, lyrics, and poetry, portraits by photographer Anton Corbijn, a collection of private pictures (from the family album), and concert photos and videos. The exhibition continued until 28 January. It was centered on Herman’s atelier (studio) where he created most of his paintings. The atelier had been entirely re-built in the museum. During the 1990s, Herman Brood’s studio was located on the second floor of the gallery in the Spuistraat in Amsterdam and has remained untouched since his death.

In 2007 the film Wild Romance, a movie about Brood’s life, premiered in the Netherlands, with Brood portrayed by Daniël Boissevain. He continues to inspire other artists: the 2007 album Bluefinger by Black Francis is based on Brood’s life and works. A tribute band called the Brood Roosters (“bread toasters”) was active in the Netherlands until they split up in early 2009. Another tribute band called Yada Yada is still active in the Netherlands, often appearing with original members of the Wild Romance (Dany Lademacher, Ramon Rambeaux).

In 2010 the Catastrophic Theatre Company collaborated with Frank Black on a rock opera based on the Bluefinger album. The opera’s first performance, with Matt Kelly portraying Brood, was on 12 November 2010 in Houston, Texas.