Verne was born on 8 February 1828, on Île Feydeau, a small artificial island on the Loire River within the town of Nantes, in No. 4 Rue Olivier-de-Clisson, the house of his maternal grandmother Dame Sophie Marie Adélaïde Julienne Allotte de La Fuÿe (née Guillochet de La Perrière). His parents were Pierre Verne, an attorney originally from Provins, and Sophie Allotte de La Fuÿe, a Nantes woman from a local family of navigators and shipowners, of distant Scottish descent. In 1829, the Verne family moved some hundred metres away to No. 2 Quai Jean-Bart, where Verne’s brother Paul was born the same year. Three sisters, Anne “Anna” (1836), Mathilde (1839), and Marie (1842) would follow.

In 1834, at the age of six, Verne was sent to boarding school at 5 Place du Bouffay in Nantes. The teacher, Madame Sambin, was the widow of a naval captain who had disappeared some 30 years before. Madame Sambin often told the students that her husband was a shipwrecked castaway and that he would eventually return like Robinson Crusoe from his desert island paradise. The theme of the robinsonade would stay with Verne throughout his life and appear in many of his novels, including The Mysterious Island (1874), Second Fatherland (1900), and The School for Robinsons (1882).

In 1836, Verne went on to École Saint‑Stanislas, a Catholic school suiting the pious religious tastes of his father. Verne quickly distinguished himself in mémoire (recitation from memory), geography, Greek, Latin, and singing. In the same year, 1836, Pierre Verne bought a vacation house at 29 Rue des Réformés in the village of Chantenay (now part of Nantes) on the Loire River. In his brief memoir Souvenirs d’enfance et de jeunesse (Memories of Childhood and Youth, 1890), Verne recalled a deep fascination with the river and with the many merchant vessels navigating it. He also took vacations at Brains, in the house of his uncle Prudent Allotte, a retired shipowner, who had gone around the world and served as mayor of Brains from 1828 to 1837. Verne took joy in playing interminable rounds of the Game of the Goose with his uncle, and both the game and his uncle’s name would be memorialized in two late novels (The Will of an Eccentric (1900) and Robur the Conqueror (1886), respectively).

Legend has it that in 1839, at the age of 11, Verne secretly procured a spot as cabin boy on the three-mast ship Coralie with the intention of traveling to the Indies and bringing back a coral necklace for his cousin Caroline. The evening the ship set out for the Indies, it stopped first at Paimboeuf where Pierre Verne arrived just in time to catch his son and make him promise to travel “only in his imagination”. It is now known that the legend is an exaggerated tale invented by Verne’s first biographer, his niece Marguerite Allotte de la Füye, though it may have been inspired by a real incident.

In 1840, the Vernes moved again to a large apartment at No. 6 Rue Jean-Jacques-Rousseau, where the family’s youngest child, Marie, was born in 1842. In the same year Verne entered another religious school, the Petit Séminaire de Saint-Donatien, as a lay student. His unfinished novel Un prêtre en 1839 (A Priest in 1839), written in his teens and the earliest of his prose works to survive, describes the seminary in disparaging terms. From 1844 to 1846, Verne and his brother were enrolled in the Lycée Royal (now the Lycée Georges-Clemenceau) in Nantes. After finishing classes in rhetoric and philosophy, he took the baccalauréat at Rennes and received the grade “Good Enough” on 29 July 1846.

By 1847, when Verne was 19, he had taken seriously to writing long works in the style of Victor Hugo, beginning Un prêtre en 1839 and seeing two verse tragedies, Alexandre VI and La Conspiration des poudres (The Gunpowder Plot), to completion. However, his father took it for granted that Verne, being the firstborn son of the family, would not attempt to make money in literature but would instead inherit the family law practice.

In 1847, Verne’s father sent him to Paris, primarily to begin his studies in law school, and secondarily (according to family legend) to distance him temporarily from Nantes. His cousin Caroline, with whom he was in love, was married on 27 April 1847, to Émile Dezaunay, a man of 40, with whom she would have five children.

After a short stay in Paris, where he passed first-year law exams, Verne returned to Nantes for his father’s help in preparing for the second year. (Provincial law students were in that era required to go to Paris to take exams.) While in Nantes, he met Rose Herminie Arnaud Grossetière, a young woman one year his senior, and fell intensely in love with her. He wrote and dedicated some thirty poems to her, including La Fille de l’air (The Daughter of Air), which describes her as “blonde and enchanting / winged and transparent”. His passion seems to have been reciprocated, at least for a short time, but Grossetière’s parents frowned upon the idea of their daughter marrying a young student of uncertain future. They married her instead to Armand Terrien de la Haye, a rich landowner ten years her senior, on 19 July 1848.

In July 1848, Verne left Nantes again for Paris, where his father intended him to finish law studies and take up law as a profession. He obtained permission from his father to rent a furnished apartment at 24 Rue de l’Ancienne-Comédie, which he shared with Édouard Bonamy, another student of Nantes origin. (On his 1847 Paris visit, Verne had stayed at 2 Rue Thérèse, the house of his aunt Charuel, on the Butte Saint-Roch.)

During this period, Verne’s letters to his parents primarily focused on expenses and on a suddenly appearing series of violent stomach cramps, the first of many he would suffer from during his life. (Modern scholars have hypothesized that he suffered from colitis; Verne believed the illness to have been inherited from his mother’s side.) Rumors of an outbreak of cholera in March 1849 exacerbated these medical concerns. Yet another health problem would strike in 1851 when Verne suffered the first of four attacks of facial paralysis. These attacks, rather than being psychosomatic, were due to an inflammation in the middle ear, though this cause remained unknown to Verne during his life.

Thanks to his visits to salons, Verne came into contact in 1849 with Alexandre Dumas through the mutual acquaintance of a celebrated chirologist of the time, the Chevalier d’Arpentigny. Verne became close friends with Dumas’ son, Alexandre Dumas fils, and showed him a manuscript for a stage comedy, Les Pailles rompues (The Broken Straws). The two young men revised the play together, and Dumas, through arrangements with his father, had it produced by the Opéra-National at the Théâtre Historique in Paris, opening on 12 June 1850.

Though writing profusely and frequenting the salons, Verne diligently pursued his law studies and graduated with a licence en droit in January 1851.

In 1851, Verne met with a fellow writer from Nantes, Pierre-Michel-François Chevalier (known as “Pitre-Chevalier”), the editor-in-chief of the magazine Musée des familles (The Family Museum). Pitre-Chevalier was looking for articles about geography, history, science, and technology, and was keen to make sure that the educational component would be made accessible to large popular audiences using a straightforward prose style or an engaging fictional story. Verne, with his delight in diligent research, especially in geography, was a natural for the job. Verne first offered him a short historical adventure story, The First Ships of the Mexican Navy, written in the style of James Fenimore Cooper, whose novels had deeply influenced him. Pitre-Chevalier published it in July 1851, and in the same year published a second short story by Verne, A Voyage in a Balloon (August 1851). The latter story, with its combination of adventurous narrative, travel themes, and detailed historical research, would later be described by Verne as “the first indication of the line of novel that I was destined to follow”.

For some time, Verne’s father pressed him to abandon his writing and begin a business as a lawyer. However, Verne argued in his letters that he could only find success in literature. The pressure to plan for a secure future in law reached its climax in January 1852, when his father offered Verne his own Nantes law practice. Faced with this ultimatum, Verne decided conclusively to continue his literary life and refuse the job, writing: “Am I not right to follow my own instincts? It’s because I know who I am that I realize what I can be one day.”

In 1852, two new pieces from Verne appeared in the Musée des familles: Martin Paz, a novella set in Lima, which Verne wrote in 1851 and published 10 July through 11 August 1852, and Les Châteaux en Californie, ou, Pierre qui roule n’amasse pas mousse (The Castles in California, or, A Rolling Stone Gathers No Moss), a one-act comedy full of racy double entendres. In April and May 1854, the magazine published Verne’s short story Master Zacharius, an E. T. A. Hoffmann-like fantasy featuring a sharp condemnation of scientific hubris and ambition, followed soon afterward by A Winter Amid the Ice, a polar adventure story whose themes closely anticipated many of Verne’s novels. The Musée also published some nonfiction popular science articles which, though unsigned, are generally attributed to Verne. Verne’s work for the magazine was cut short in 1856 when he had a serious quarrel with Pitre-Chevalier and refused to continue contributing (a refusal he would maintain until 1863, when Pitre-Chevalier died, and the magazine went to new editorship).

Translation of Verne into English began in 1852, when Verne’s short story A Voyage in a Balloon (1851) was published in the American journal Sartain’s Union Magazine of Literature and Art in a translation by Anne T. Wilbur. Translation of his novels began in 1869 with William Lackland’s translation of Five Weeks in a Balloon (originally published in 1863), and continued steadily throughout Verne’s lifetime, with publishers and hired translators often working in great haste to rush his most lucrative titles into English-language print. Unlike Hetzel, who targeted all ages with his publishing strategies for the Voyages extraordinaires, the British and American publishers of Verne chose to market his books almost exclusively to young audiences; this business move, with its implication that Verne could be treated purely as a children’s author, had a long-lasting effect on Verne’s reputation in English-speaking countries.

In May 1856, Verne traveled to Amiens to be the best man at the wedding of a Nantes friend, Auguste Lelarge, to an Amiens woman named Aimée du Fraysne de Viane. Verne, invited to stay with the bride’s family, took to them warmly, befriending the entire household and finding himself increasingly attracted to the bride’s sister, Honorine Anne Hébée Morel (née du Fraysne de Viane), a widow aged 26 with two young children. Hoping to find a secure source of income, as well as a chance to court Morel in earnest, he jumped at her brother’s offer to go into business with a broker. Verne’s father was initially dubious but gave in to his son’s requests for approval in November 1856. With his financial situation finally looking promising, Verne won the favor of Morel and her family, and the couple were married on 10 January 1857.

In July 1858, Verne and Aristide Hignard seized an opportunity offered by Hignard’s brother: a sea voyage, at no charge, from Bordeaux to Liverpool and Scotland. The journey, Verne’s first trip outside France, deeply impressed him, and upon his return to Paris he fictionalized his recollections to form the backbone of a semi-autobiographical novel, Backwards to Britain (written in the autumn and winter of 1859–1860 and not published until 1989). A second complimentary voyage in 1861 took Hignard and Verne to Stockholm, from where they traveled to Christiania and through Telemark. Verne left Hignard in Denmark to return in haste to Paris, but missed the birth on 3 August 1861 of his only biological son, Michel.

In 1862, through their mutual acquaintance Alfred de Bréhat, Verne came into contact with the publisher Pierre-Jules Hetzel, and submitted to him the manuscript of his developing novel, then called Voyage en Ballon. Hetzel, already the publisher of Honoré de Balzac, George Sand, Victor Hugo, and other well-known authors, had long been planning to launch a high-quality family magazine in which entertaining fiction would combine with scientific education. He saw Verne, with his demonstrated inclination toward scrupulously researched adventure stories, as an ideal contributor for such a magazine, and accepted the novel, giving Verne suggestions for improvement. Verne made the proposed revisions within two weeks and returned to Hetzel with the final draft, now titled Five Weeks in a Balloon. It was published by Hetzel on 31 January 1863.

When The Adventures of Captain Hatteras was published in book form in 1866, Hetzel publicly announced his literary and educational ambitions for Verne’s novels by saying in a preface that Verne’s works would form a novel sequence called the Voyages extraordinaires (Extraordinary Voyages or Extraordinary Journeys), and that Verne’s aim was “to outline all the geographical, geological, physical, and astronomical knowledge amassed by modern science and to recount, in an entertaining and picturesque format that is his own, the history of the universe”. Late in life, Verne confirmed that this commission had become the running theme of his novels: “My object has been to depict the earth, and not the earth alone, but the universe… And I have tried at the same time to realize a very high ideal of beauty of style. It is said that there can’t be any style in a novel of adventure, but it isn’t true.” However, he also noted that the project was extremely ambitious: “Yes! But the Earth is very large, and life is very short! In order to leave a completed work behind, one would need to live to be at least 100 years old!”

In 1867, Verne bought a small boat, the Saint-Michel, which he successively replaced with the Saint-Michel II and the Saint-Michel III as his financial situation improved. On board the Saint-Michel III, he sailed around Europe. After his first novel, most of his stories were first serialised in the Magazine d’Éducation et de Récréation, a Hetzel biweekly publication, before being published in book form. His brother Paul contributed to 40th French climbing of the Mont-Blanc and a collection of short stories – Doctor Ox – in 1874. Verne became wealthy and famous.

Verne was made a Chevalier de la Légion d’honneur in 1870. He was promoted to an Officier de la Légion d’honneur in 1892.

From that point, Verne published two or more volumes a year. The most successful of these are: Voyage au centre de la Terre (Journey to the Center of the Earth, 1864); De la Terre à la Lune (From the Earth to the Moon, 1865); Vingt mille lieues sous les mers (Twenty Thousand Leagues Under the Sea, 1869); and Le tour du monde en quatre-vingts jours (Around the World in Eighty Days), which first appeared in Le Temps in 1872. Verne could now live on his writings, but most of his wealth came from the stage adaptations of Le tour du monde en quatre-vingts jours (1874) and Michel Strogoff (1876), which he wrote with Adolphe d’Ennery.

On 9 March 1886, as Verne was coming home, his twenty-six-year-old nephew, Gaston, shot at him twice with a pistol. The first bullet missed, but the second one entered Verne’s left leg, giving him a permanent limp that could not be overcome. This incident was hushed up in the media, but Gaston spent the rest of his life in a mental asylum.

After the death of both his mother and Hetzel, Jules Verne began publishing darker works. In 1888, Verne entered politics and was elected town councilor of Amiens, where he championed several improvements and served for fifteen years.

On 24 March 1905, while ill with diabetes, Verne died at his home in Amiens, 44 Boulevard Longueville (now Boulevard Jules-Verne). His son, Michel Verne, oversaw the publication of the novels Invasion of the Sea and The Lighthouse at the End of the World after Jules’s death. The Voyages extraordinaires series continued for several years afterwards at the same rate of two volumes a year. It was later discovered that Michel Verne had made extensive changes in these stories, and the original versions were eventually published at the end of the 20th century by the Jules Verne Society (Société Jules Verne). In 1919, Michel Verne published The Barsac Mission (French: L’Étonnante Aventure de la Mission Barsac), whose original drafts contained references to Esperanto, a language that his father had been very interested in.

Closely related to Verne’s science-fiction reputation is the often-repeated claim that he is a “prophet” of scientific progress, and that many of his novels involve elements of technology that were fantastic for his day but later became commonplace. These claims have a long history, especially in America, but the modern scholarly consensus is that such claims of prophecy are heavily exaggerated. In a 1961 article critical of Twenty Thousand Leagues Under the Sea’s scientific accuracy, Theodore L. Thomas speculated that Verne’s storytelling skill and readers misremembering a book they read as children caused people to “remember things from it that are not there. The impression that the novel contains valid scientific prediction seems to grow as the years roll by”. As with science fiction, Verne himself flatly denied that he was a futuristic prophet, saying that any connection between scientific developments and his work was “mere coincidence” and attributing his indisputable scientific accuracy to his extensive research: “even before I began writing stories, I always took numerous notes out of every book, newspaper, magazine, or scientific report that I came across.”

Since 1965, a considerable number of more accurate English translations of Verne have appeared. However, the older, deficient translations continue to be republished due to their public domain status, and in many cases their easy availability in online sources.

In 1989, Verne’s great-grandson discovered his ancestor’s as-yet-unpublished novel Paris in the Twentieth Century, which was subsequently published in 1994.

Verne’s largest body of work is the Voyages extraordinaires series, which includes all of his novels except for the two rejected manuscripts Paris in the Twentieth Century and Backwards to Britain (published posthumously in 1994 and 1989, respectively) and for projects left unfinished at his death (many of which would be posthumously adapted or rewritten for publication by his son Michel). Verne also wrote many plays, poems, song texts, operetta libretti, and short stories, as well as a variety of essays and miscellaneous non-fiction.