Manitas de Plata garnered fame in the United States only after a photography exhibition in New York, organized by his friend Lucien Clergue. He had recorded his first official album in the chapel of Arles in France, in 1963, for the Phillips label. It was later re-released, in 1967, by the Connoisseur Society label and sold through the Book of the Month Club. This was a popular LP that brought him to the attention of an American audience. An American manager obtained a booking for him to play a concert in Carnegie Hall in New York on November 24, 1965.

Upon hearing him play at Arles in 1964, Pablo Picasso is said to have exclaimed “that man is of greater worth than I am!” and proceeded to draw on the guitar.

He toured the world from 1967, and recorded discs. He played with the dancer Nina Corti. In 1968 he played at the Royal Variety Performance in London. He toured Australia in September 1972 supported by Los Baliardos (Hippolyte Baliardo, Manero Baliardo, José Reyes, Ricardo Bissaro). His Sevillana was included in Scorsese’s After Hours (1985) soundtrack.

Manitas de Plata was the father of Jacques, Maurice, and Tonino Baliardo and uncle to Paul, François (Canut), Patchaï, Nicolas and André Reyes (the sons of his cousin, flamenco artist José Reyes (1928-1979), all members of the Catalan Rumba band Gipsy Kings. Australian multi-instrumentalist Chris Freeman, his student in 1971, acknowledged de Plata’s influence and teachings.

Manitas de Plata died in a retirement home in Montpellier on 6 November 2014. The cause of death was not disclosed, although it was reported that de Plata had been in poor health since suffering a severe heart attack in April 2013.