James Paul McCartney was born on 18 June 1942 at Walton Hospital in the Walton area of Liverpool, where his mother, Mary Patricia (née Mohin), had qualified to practise as a nurse. His father, James (“Jim”) McCartney, was absent from his son’s birth due to his work as a volunteer firefighter during World War II. McCartney has a younger brother named Michael and a stepsister named Ruth. The children were baptised in their mother’s Catholic faith, even though their father was a former Protestant who had turned agnostic. Religion was not emphasised in the household.

McCartney attended Stockton Wood Road Primary School in Speke from 1947 until 1949, when he transferred to Joseph Williams Junior School in Belle Vale because of overcrowding at Stockton. In 1953, he was one of only three students out of 90 to pass the 11-Plus exam, meaning he could attend the Liverpool Institute, a grammar school rather than a secondary modern school. In 1954, he met schoolmate George Harrison on the bus from his suburban home in Speke. The two quickly became friends; McCartney later admitted: “I tended to talk down to him because he was a year younger.”

McCartney’s mother, Mary, was a midwife and the family’s primary wage earner; her earnings enabled them to move into 20 Forthlin Road in Allerton, where they lived until 1964. She rode a bicycle to her patients; McCartney described an early memory of her leaving at “about three in the morning [the] streets … thick with snow”. On 31 October 1956, when McCartney was 14, his mother died of an embolism as a complication of surgery for breast cancer. McCartney’s loss later became a point of connection with John Lennon, whose mother, Julia, had died when he was 17.

At the age of fifteen on 6 July 1957, McCartney met John Lennon and his band, the Quarrymen, at the St Peter’s Church Hall fête in Woolton. The Quarrymen played a mix of rock and roll and skiffle, a type of popular music with jazz, blues and folk influences. Soon afterwards, the members of the band invited McCartney to join as a rhythm guitarist, and he formed a close working relationship with Lennon. Harrison joined in 1958 as lead guitarist, followed by Lennon’s art school friend Stuart Sutcliffe on bass, in 1960. By May 1960, the band had tried several names, including Johnny and the Moondogs, Beatals and the Silver Beetles. They adopted the name the Beatles in August 1960 and recruited drummer Pete Best shortly before a five-engagement residency in Hamburg.

McCartney’s first serious girlfriend in Liverpool was Dot Rhone, whom he met at the Casbah club in 1959. According to Spitz, Rhone felt that McCartney had a compulsion to control situations. He often chose clothes and makeup for her, encouraging her to grow her hair out like Brigitte Bardot’s, and at least once insisting she have it restyled, to disappointing effect. When McCartney first went to Hamburg with the Beatles, he wrote to Rhone regularly, and she accompanied Cynthia Lennon to Hamburg when they played there again in 1962. The couple had a two-and-a-half-year relationship, and were due to marry until Rhone’s miscarriage. According to Spitz, McCartney, now “free of obligation”, ended the engagement.

In 1961, Sutcliffe left the band and McCartney reluctantly became their bass player. While in Hamburg, they recorded professionally for the first time and were credited as the Beat Brothers, who were the backing band for English singer Tony Sheridan on the single “My Bonnie”. This resulted in attention from Brian Epstein, who was a key figure in their subsequent development and success. He became their manager in January 1962. Ringo Starr replaced Best in August, and the band had their first hit, “Love Me Do”, in October, becoming popular in the UK in 1963, and in the US a year later. The fan hysteria became known as “Beatlemania”, and the press sometimes referred to McCartney as the “cute Beatle”. McCartney co-wrote (with Lennon) several of their early hits, including “I Saw Her Standing There”, “She Loves You”, “I Want to Hold Your Hand” (1963) and “Can’t Buy Me Love” (1964).

McCartney signed his first recording contract, as a member of the Beatles, with Parlophone Records, an EMI subsidiary, in June 1962. In the United States, the Beatles recordings were distributed by EMI subsidiary Capitol Records. The Beatles re-signed with EMI for another nine years in 1967. After forming their own record label, Apple Records, in 1968, the Beatles’ recordings would be released through Apple although the masters were still owned by EMI. Following the break-up of the Beatles, McCartney’s music continued to be released by Apple Records under the Beatles’ 1967 recording contract with EMI which ran until 1976. Following the formal dissolution of the Beatles’ partnership in 1975, McCartney re-signed with EMI worldwide and Capitol in the US, Canada and Japan, acquiring ownership of his solo catalogue from EMI as part of the deal. In 1979, McCartney signed with Columbia Records in the US and Canada—reportedly receiving the industry’s most lucrative recording contract to date, while remaining with EMI for distribution throughout the rest of the world. As part of the deal, CBS offered McCartney ownership of Frank Music, publisher of the catalogue of American songwriter Frank Loesser. McCartney’s album sales were below CBS’ expectations and reportedly the company lost at least $9 million on the contract. McCartney returned to Capitol in the US in 1985, remaining with EMI until 2006. In 2007, McCartney signed with Hear Music, becoming the label’s first artist. He remains there as of 2012’s Kisses on the Bottom.

In 1963, Dick James established Northern Songs to publish the songs of Lennon–McCartney. McCartney initially owned 20% of Northern Songs, which became 15% after a public stock offering in 1965. In 1969, James sold a controlling interest in Northern Songs to Lew Grade’s Associated Television (ATV) after which McCartney and John Lennon sold their remaining shares although they remained under contract to ATV until 1973. In 1972, McCartney re-signed with ATV for seven years in a joint publishing agreement between ATV and McCartney Music. Since 1979, MPL Communications has published McCartney’s songs.

McCartney first met British actress Jane Asher on 18 April 1963 when a photographer asked them to pose at a Beatles performance at the Royal Albert Hall in London. The two began a relationship, and in November of that year he took up residence with Asher at her parents’ home at 57 Wimpole Street, London. They had lived there for more than two years before the couple moved to McCartney’s own home in St. John’s Wood in March 1966. He wrote several songs while living at the Ashers’, including “Yesterday”, “And I Love Her”, “You Won’t See Me” and “I’m Looking Through You”, the latter three having been inspired by their romance. They had a five-year relationship and planned to marry, but Asher broke off the engagement after she discovered he had become involved with Francie Schwartz, an American screenwriter who moved to London at age 23 thinking she could sell a script to the Beatles. She met McCartney and he invited her to move into his London house, where events ensued that possibly broke up him and Asher.

McCartney first used drugs in the Beatles’ Hamburg days when they often used Preludin to maintain their energy while performing for long periods. Bob Dylan introduced them to marijuana in a New York hotel room in 1964; McCartney recalls getting “very high” and “giggling uncontrollably”. His use of the drug soon became habitual, and according to Miles, McCartney wrote the lyrics “another kind of mind” in “Got to Get You into My Life” specifically as a reference to cannabis. During the filming of Help!, McCartney occasionally smoked a joint in the car on the way to the studio during filming, and often forgot his lines. Director Richard Lester overheard two physically attractive women trying to persuade McCartney to use heroin, but he refused. Introduced to cocaine by Robert Fraser, McCartney used the drug regularly during the recording of Sgt. Pepper’s Lonely Hearts Club Band, and for about a year in total but stopped because of his dislike of the unpleasant melancholy he felt afterwards.

In August 1965, the Beatles released the McCartney composition “Yesterday”, featuring a string quartet. Included on the Help! LP, the song was the group’s first recorded use of classical music elements and their first recording that involved only a single band member. “Yesterday” became one of the most covered songs in popular music history. Later that year, during recording sessions for the album Rubber Soul, McCartney began to supplant Lennon as the dominant musical force in the band. Musicologist Ian MacDonald wrote, “from [1965] … [McCartney] would be in the ascendant not only as a songwriter, but also as instrumentalist, arranger, producer, and de facto musical director of the Beatles.” Critics described Rubber Soul as a significant advance in the refinement and profundity of the band’s music and lyrics. Considered a high point in the Beatles catalogue, both Lennon and McCartney said they had written the music for the song “In My Life”. McCartney said of the album, “we’d had our cute period, and now it was time to expand.” Recording engineer Norman Smith stated that the Rubber Soul sessions exposed indications of increasing contention within the band: “the clash between John and Paul was becoming obvious … [and] as far as Paul was concerned, George [Harrison] could do no right—Paul was absolutely finicky.”

In 1966, the Beatles released the album Revolver. Featuring sophisticated lyrics, studio experimentation, and an expanded repertoire of musical genres ranging from innovative string arrangements to psychedelic rock, the album marked an artistic leap for the Beatles. The first of three consecutive McCartney A-sides, the single “Paperback Writer” preceded the LP’s release. The Beatles produced a short promotional film for the song, and another for its B-side, “Rain”. The films, described by Harrison as “the forerunner of videos”, aired on The Ed Sullivan Show and Top of the Pops in June 1966. Revolver also included McCartney’s “Eleanor Rigby”, which featured a string octet. According to Gould, the song is “a neoclassical tour de force … a true hybrid, conforming to no recognizable style or genre of song”. Except for some backing vocals, the song included only McCartney’s lead vocal and the strings arranged by producer George Martin.

Starting in November 1966, the band adopted an experimental attitude during recording sessions for the album. Their recording of “A Day in the Life” required a forty-piece orchestra, which Martin and McCartney took turns conducting. The sessions produced the double A-side single “Strawberry Fields Forever”/”Penny Lane” in February 1967, and the LP followed in June. Based on an ink drawing by McCartney, the LP’s cover included a collage designed by pop artists Peter Blake and Jann Haworth, featuring the Beatles in costume as the Sgt. Pepper’s Lonely Hearts Club Band, standing with a host of celebrities. The cover piqued a frenzy of analysis.

Initially reluctant to try LSD, McCartney eventually did so in late 1966, and took his second “acid trip” in March 1967 with Lennon after a Sgt. Pepper studio session. He later became the first Beatle to discuss the drug publicly, declaring: “It opened my eyes … [and] made me a better, more honest, more tolerant member of society.” He made his attitude about cannabis public in 1967, when he, along with the other Beatles and Epstein, added his name to a July advertisement in The Times, which called for its legalisation, the release of those imprisoned for possession, and research into marijuana’s medical uses.

Linda Eastman was a music fan who once commented, “all my teen years were spent with an ear to the radio.” At times, she played hooky to see artists such as Fabian, Bobby Darin and Chuck Berry. She became a popular photographer with several rock groups, including the Jimi Hendrix Experience, the Grateful Dead, the Doors and the Beatles, whom she first met at Shea Stadium in 1966. She commented, “It was John who interested me at the start. He was my Beatle hero. But when I met him the fascination faded fast, and I found it was Paul I liked.” The pair first met properly in 1967 at a Georgie Fame concert at The Bag O’Nails club, during her UK assignment to photograph rock musicians in London. As Paul remembers, “The night Linda and I met, I spotted her across a crowded club, and although I would normally have been nervous chatting her up, I realised I had to … Pushiness worked for me that night!” Linda said this about their meeting: “I was quite shameless really. I was with somebody else [that night] … and I saw Paul at the other side of the room. He looked so beautiful that I made up my mind I would have to pick him up.” The pair married in March 1969. About their relationship, Paul said, “We had a lot of fun together … just the nature of how we aren’t, our favourite thing really is to just hang, to have fun. And Linda’s very big on just following the moment.” He added, “We were crazy. We had a big argument the night before we got married, and it was nearly called off … [it’s] miraculous that we made it. But we did.”

Epstein’s death in August 1967 created a void, which left the Beatles perplexed and concerned about their future. McCartney stepped in to fill that void and gradually became the de facto leader and business manager of the group that Lennon had once led. In his first creative suggestion after this change of leadership, McCartney proposed that the band move forward on their plans to produce a film for television, which was to become Magical Mystery Tour. According to Beatles historian Mark Lewisohn, the project was “an administrative nightmare throughout”. McCartney largely directed the film, which brought the group their first unfavourable critical response. However, the film’s soundtrack was more successful. It was released in the UK as a six-track double extended play disc (EP), and as an identically titled LP in the US, filled out with five songs from the band’s recent singles. The only Capitol compilation later included in the group’s official canon of studio albums, the Magical Mystery Tour LP achieved $8 million in sales within three weeks of its release, higher initial sales than any other Capitol LP up to that point.

In August 1967, McCartney met Maharishi Mahesh Yogi at the London Hilton and later went to Bangor in North Wales to attend a weekend initiation conference, where he and the other Beatles learned the basics of Transcendental Meditation. He said, “The whole meditation experience was very good and I still use the mantra … I find it soothing.” In 2009, McCartney and Starr headlined a benefit concert at Radio City Music Hall, raising three million dollars for the David Lynch Foundation to fund instruction in Transcendental Meditation for at-risk youth.

The Beatles’ animated film Yellow Submarine, loosely based on the imaginary world evoked by McCartney’s 1966 composition, premiered in July 1968. Though critics admired the film for its visual style, humour and music, the soundtrack album issued six months later received a less enthusiastic response. By late 1968, relations within the band were deteriorating. The tension grew during the recording of their eponymous double album, also known as the “White Album”. Matters worsened the following year during the Let It Be sessions, when a camera crew filmed McCartney lecturing the group: “We’ve been very negative since Mr. Epstein passed away … we were always fighting [his] discipline a bit, but it’s silly to fight that discipline if it’s our own”.

During a recording session for The Beatles in 1968, the two got into an argument over McCartney’s critique of Starr’s drum part for “Back in the U.S.S.R.”, which contributed to Starr temporarily leaving the band. Starr later commented on working with McCartney: “Paul is the greatest bass player in the world. But he is also very determined … [to] get his own way … [thus] musical disagreements inevitably arose from time to time.”

In March 1969, McCartney married his first wife, Linda Eastman, and in August, the couple had their first child, Mary, named after his late mother. Abbey Road was the band’s last recorded album, and Martin suggested “a continuously moving piece of music”, urging the group to think symphonically. McCartney agreed, but Lennon did not. They eventually compromised, agreeing to McCartney’s suggestion: an LP featuring individual songs on side one, and a long medley on side two. In October 1969, a rumour surfaced that McCartney had died in a car crash in 1966 and was replaced by a lookalike, but this was quickly refuted when a November Life magazine cover featured him and his family, accompanied by the caption “Paul is still with us”.

McCartney was in the midst of business disagreements with his bandmates when he announced his departure from the group on 10 April 1970. He filed a suit for the band’s formal dissolution on 31 December 1970, and in March 1971 the court appointed a receiver to oversee Apple’s finances. An English court legally dissolved the Beatles’ partnership on 9 January 1975, though sporadic lawsuits against their record company EMI, Klein, and each other persisted until 1989.

In 1970, McCartney continued his musical career with his first solo release, McCartney, a US number-one album. Apart from some vocal contributions from Linda, McCartney is a one-man album, with McCartney providing compositions, instrumentation and vocals. In 1971, he collaborated with Linda and drummer Denny Seiwell on a second album, Ram. A UK number one and a US top five, Ram included the co-written US number-one hit single “Uncle Albert/Admiral Halsey”. Later that year, ex-Moody Blues guitarist Denny Laine joined the McCartneys and Seiwell to form the band Wings. McCartney had this to say on the group’s formation: “Wings were always a difficult idea … any group having to follow [the Beatles’] success would have a hard job … I found myself in that very position. However, it was a choice between going on or finishing, and I loved music too much to think of stopping.” In September 1971, the McCartneys’ daughter Stella was born, named in honour of Linda’s grandmothers, both of whom were named Stella.

McCartney called Little Richard an idol, whose falsetto vocalisations inspired McCartney’s own vocal technique. McCartney said he wrote “I’m Down” as a vehicle for his Little Richard impersonation. In 1971, McCartney bought the publishing rights to Holly’s catalogue, and in 1976, on the fortieth anniversary of Holly’s birth, McCartney inaugurated the annual “Buddy Holly Week” in England. The festival has included guest performances by famous musicians, songwriting competitions, drawing contests and special events featuring performances by the Crickets.

After the break-up of the Beatles, the two collaborated musically and formed Wings in 1971. They faced derision from some fans and critics, who questioned her inclusion. She was nervous about performing with Paul, who explained, “she conquered those nerves, got on with it and was really gutsy.” Paul defended her musical ability: “I taught Linda the basics of the keyboard … She took a couple of lessons and learned some bluesy things … she did very well and made it look easier than it was … The critics would say, ‘She’s not really playing’ or ‘Look at her—she’s playing with one finger.’ But what they didn’t know is that sometimes she was playing a thing called a Minimoog, which could only be played with one finger. It was monophonic.” He went on to say, “We thought we were in it for the fun … it was just something we wanted to do, so if we got it wrong—big deal. We didn’t have to justify ourselves.” Former Wings guitarist McCullough said of collaborating with Linda, “trying to get things together with a learner in the group didn’t work as far as I was concerned.”

Following the addition of guitarist Henry McCullough, Wings’ first concert tour began in 1972 with a debut performance in front of an audience of seven hundred at the University of Nottingham. Ten more gigs followed as they travelled across the UK in a van during an unannounced tour of universities, during which the band stayed in modest accommodation and received pay in coinage collected from students, while avoiding Beatles songs during their performances. McCartney later said, “The main thing I didn’t want was to come on stage, faced with the whole torment of five rows of press people with little pads, all looking at me and saying, ‘Oh well, he is not as good as he was.’ So we decided to go out on that university tour which made me less nervous … by the end of that tour I felt ready for something else, so we went into Europe.” During the seven-week, 25-show Wings Over Europe Tour, the band played almost solely Wings and McCartney solo material: the Little Richard cover “Long Tall Sally” was the only song that had previously been recorded by the Beatles. McCartney wanted the tour to avoid large venues; most of the small halls they played had capacities of fewer than 3,000 people.

In 1972, a Swedish court fined McCartney £1,000 for cannabis possession. Soon after, Scottish police found marijuana plants growing on his farm, leading to his 1973 conviction for illegal cultivation and a £100 fine. As a result of his drug convictions, the US government repeatedly denied him a visa until December 1973. Arrested again for marijuana possession in 1975 in Los Angeles, Linda took the blame, and the court soon dismissed the charges. In January 1980, when Wings flew to Tokyo for a tour of Japan, customs officials found approximately 8 ounces (200 g) of cannabis in his luggage. They arrested McCartney and brought him to a local jail while the Japanese government decided what to do. After ten days, they released and deported him without charge. In 1984, while McCartney was on holiday in Barbados, authorities arrested him for possession of marijuana and fined him $200. Upon his return to England, he stated: “cannabis is … less harmful than rum punch, whiskey, nicotine and glue, all of which are perfectly legal … I don’t think … I was doing anyone any harm whatsoever.” In 1997, he spoke out in support of decriminalisation of the drug: “People are smoking pot anyway and to make them criminals is wrong.” He did, however, decide to quit cannabis in 2015, citing a desire to set a good example for his grandchildren.

In March 1973, Wings achieved their first US number-one single, “My Love”, included on their second LP, Red Rose Speedway, a US number one and UK top five. McCartney’s collaboration with Linda and former Beatles producer Martin resulted in the song “Live and Let Die”, which was the theme song for the James Bond film of the same name. Nominated for an Academy Award, the song reached number two in the US and number nine in the UK. It also earned Martin a Grammy for his orchestral arrangement. Music professor and author Vincent Benitez described the track as “symphonic rock at its best”.

After the departure of McCullough and Seiwell in 1973, the McCartneys and Laine recorded Band on the Run. The album was the first of seven platinum Wings LPs. It was a US and UK number one, the band’s first to top the charts in both countries and the first ever to reach Billboard magazine’s charts on three separate occasions. One of the best-selling releases of the decade, it remained on the UK charts for 124 weeks. Rolling Stone named it one of the Best Albums of the Year for 1973, and in 1975, Paul McCartney and Wings won the Grammy Award for Best Pop Vocal Performance for the song “Band on the Run” and Geoff Emerick won the Grammy for Best Engineered Recording for the album. In 1974, Wings achieved a second US number-one single with the title track. The album also included the top-ten hits “Jet” and “Helen Wheels”, and earned the 413th spot on Rolling Stone’s list of the 500 Greatest Albums of All Time.

McCartney and Starr collaborated on several post-Beatles projects, starting in 1973 when McCartney contributed instrumentation and backing vocals for “Six O’Clock”, a song McCartney wrote for Starr’s album Ringo. McCartney played a kazoo solo on “You’re Sixteen” from the same album. Starr appeared (as a fictional version of himself) in McCartney’s 1984 film Give My Regards to Broad Street, and played drums on most tracks of the soundtrack album, which includes re-recordings of several McCartney-penned Beatles songs. Starr played drums and sang backing vocals on “Beautiful Night” from McCartney’s 1997 album Flaming Pie. The pair collaborated again in 1998, on Starr’s Vertical Man, which featured McCartney’s backing vocals on three songs, and instrumentation on one. In 2009, the pair performed “With a Little Help from My Friends” at a benefit concert for the David Lynch Foundation. They collaborated on Starr’s album Y Not in 2010. McCartney played bass on “Peace Dream”, and sang a duet with Starr on “Walk with You”. On 7 July 2010, Starr was performing at Radio City Music Hall in New York with his All-Starr Band in a concert celebrating his seventieth birthday. After the encores, McCartney made a surprise appearance, performing the Beatles’ song “Birthday” with Starr’s band. On 26 January 2014, McCartney and Starr performed “Queenie Eye” from McCartney’s new album New at the 56th Annual Grammy Awards. McCartney inducted Starr into the Rock and Roll Hall of Fame in April 2015, and played bass on his 2017 album Give More Love. On 16 December 2018, Starr and Ronnie Wood joined McCartney onstage to perform “Get Back” at his concert at London’s O2 Arena. Starr also made an appearance on the final day of McCartney’s Freshen Up tour in July 2019, performing “Sgt. Pepper’s Lonely Hearts Club Band (Reprise)” and “Helter Skelter”.

Though McCartney had a strained relationship with Lennon, they briefly became close again in early 1974, and played music together on one occasion. In later years, the two grew apart. McCartney often phoned Lennon, but was apprehensive about the reception he would receive. During one call, Lennon told him, “You’re all pizza and fairytales!” In an effort to avoid talking only about business, they often spoke of cats, babies, or baking bread.

Wings followed Band on the Run with the chart-topping albums Venus and Mars (1975) and Wings at the Speed of Sound (1976). In 1975, they began the fourteen-month Wings Over the World Tour, which included stops in the UK, Australia, Europe and the US. The tour marked the first time McCartney performed Beatles songs live with Wings, with five in the two-hour set list: “I’ve Just Seen a Face”, “Yesterday”, “Blackbird”, “Lady Madonna” and “The Long and Winding Road”. Following the second European leg of the tour and extensive rehearsals in London, the group undertook an ambitious US arena tour that yielded the US number-one live triple LP Wings over America.

Since 1975, McCartney has been a vegetarian. He and his wife Linda were vegetarians for most of their 29-year marriage. They decided to stop consuming meat after Paul saw lambs in a field as they were eating a meal of lamb. Soon after, the couple became outspoken animal rights activists. In his first interview after Linda’s death, he promised to continue working for animal rights, and in 1999, he spent £3,000,000 to ensure Linda McCartney Foods remained free of genetically engineered ingredients. In 1995, he narrated the documentary Devour the Earth, written by Tony Wardle. McCartney is a supporter of the animal-rights organisation People for the Ethical Treatment of Animals. He has appeared in the group’s campaigns, and in 2009, McCartney narrated a video for them titled “Glass Walls”, which was harshly critical of slaughterhouses, the meat industry, and their effect on animal welfare. McCartney has also supported campaigns headed by the Humane Society of the United States, Humane Society International, World Animal Protection, and the David Shepherd Wildlife Foundation.

On 24 April 1976, McCartney and Lennon were watching an episode of Saturday Night Live at Lennon’s home in the Dakota when Lorne Michaels made a $3,000 cash offer for the Beatles to reunite. While they seriously considered going to the SNL studio a few blocks away, they decided it was too late. This was their last time together. VH1 fictionalised this event in the 2000 television film Two of Us. McCartney’s last telephone call to Lennon, days before Lennon and Ono released Double Fantasy, was friendly: “[It is] a consoling factor for me, because I do feel it was sad that we never actually sat down and straightened our differences out. But fortunately for me, the last phone conversation I ever had with him was really great, and we didn’t have any kind of blow-up”, he said.

In September 1977, the McCartneys had a third child, a son they named James. In November, the Wings song “Mull of Kintyre”, co-written with Laine, was quickly becoming one of the best-selling singles in UK chart history. The most successful single of McCartney’s solo career, it achieved double the sales of the previous record holder, “She Loves You”, and went on to sell 2.5 million copies and hold the UK sales record until the 1984 charity single, “Do They Know It’s Christmas?”

London Town (1978) spawned a US number-one single (“With a Little Luck”), and continued Wings’ string of commercial successes, making the top five in both the US and the UK. Critical reception was unfavourable, and McCartney expressed disappointment with the album. Back to the Egg (1979) featured McCartney’s assemblage of a rock supergroup dubbed “Rockestra” on two tracks. The band included Wings along with Pete Townshend, David Gilmour, Gary Brooker, John Paul Jones, John Bonham and others. Though certified platinum, critics panned the album. Wings completed their final concert tour in 1979, with twenty shows in the UK that included the live debut of the Beatles songs “Got to Get You into My Life”, “The Fool on the Hill” and “Let it Be”.

In 1980, McCartney released his second solo LP, the self-produced McCartney II, which peaked at number one in the UK and number three in the US. As with his first album, he composed and performed it alone. The album contained the song “Coming Up”, the live version of which, recorded in Glasgow, Scotland, in 1979 by Wings, became the group’s last number-one hit. By 1981, McCartney felt he had accomplished all he could creatively with Wings and decided he needed a change. The group discontinued in April 1981 after Laine quit following disagreements over royalties and salaries.

On 9 December 1980, McCartney followed the news that Lennon had been murdered the previous night; Lennon’s death created a media frenzy around the surviving members of the band. McCartney was leaving an Oxford Street recording studio that evening when he was surrounded by reporters who asked him for his reaction; he responded: “It’s a drag”. The press quickly criticised him for what appeared to be a superficial response. He later explained, “When John was killed somebody stuck a microphone at me and said: ‘What do you think about it?’ I said, ‘It’s a dra-a-ag’ and meant it with every inch of melancholy I could muster. When you put that in print it says, ‘McCartney in London today when asked for a comment on his dead friend said, “It’s a drag”.’ It seemed a very flippant comment to make.” He described his first exchange with Ono after the murder, and his last conversation with Lennon:

In 1981, McCartney asked Geoff Dunbar to direct a short animated film called Rupert and the Frog Song; McCartney was the writer and producer, and he also added some of the character voices. His song “We All Stand Together” from the film’s soundtrack reached No. 3 in the UK Singles Chart. In 1992, he worked with Dunbar on an animated film about the work of French artist Honoré Daumier, which won them a BAFTA award. In 2004, they worked together on the animated short film Tropic Island Hum. The accompanying single, “Tropic Island Hum”/”We All Stand Together”, reached number 21 in the UK.

McCartney and Yoko Ono attempted to purchase the Northern Songs catalogue in 1981, but Grade declined their offer. Soon afterward, ATV Music’s parent company, Associated Communications Corp., was acquired in a takeover by businessman Robert Holmes à Court, who later sold ATV Music to Michael Jackson in 1985. McCartney has criticised Jackson’s purchase and handling of Northern Songs over the years. In 1995, Jackson merged his catalogue with Sony for a reported £59,052,000 ($95 million), establishing Sony/ATV Music Publishing, in which he retained half-ownership. Northern Songs was formally dissolved in 1995, and absorbed into the Sony/ATV catalogue. McCartney receives writers’ royalties which together are 33⅓ percent of total commercial proceeds in the US, and which vary elsewhere between 50 and 55 percent. Two of the Beatles’ earliest songs—”Love Me Do” and “P.S. I Love You”—were published by an EMI subsidiary, Ardmore & Beechwood, before signing with James. McCartney acquired their publishing rights from Ardmore in 1978, and they are the only two Beatles songs owned by MPL Communications.

In 1982, McCartney collaborated with Stevie Wonder on the Martin-produced number-one hit “Ebony and Ivory”, included on McCartney’s Tug of War LP, and with Michael Jackson on “The Girl Is Mine” from Thriller. “Ebony and Ivory” was McCartney’s record 28th single to hit number one on the Billboard 100. The following year, he and Jackson worked on “Say Say Say”, McCartney’s most recent US number one as of 2014. McCartney earned his latest UK number one as of 2014 with the title track of his LP release that year, “Pipes of Peace”.

McCartney became interested in painting after watching artist Willem de Kooning work in de Kooning’s Long Island studio. McCartney took up painting in 1983, and he first exhibited his work in Siegen, Germany, in 1999. The 70-painting show featured portraits of Lennon, Andy Warhol and David Bowie. Though initially reluctant to display his paintings publicly, McCartney chose the gallery because events organiser Wolfgang Suttner showed genuine interest in McCartney’s art. In September 2000, the first UK exhibition of McCartney’s paintings opened, featuring 500 canvases at the Arnolfini Gallery in Bristol, England. In October 2000, McCartney’s art debuted in his hometown of Liverpool. McCartney said, “I’ve been offered an exhibition of my paintings at the Walker Art Gallery … where John and I used to spend many a pleasant afternoon. So I’m really excited about it. I didn’t tell anybody I painted for 15 years but now I’m out of the closet”. McCartney is lead patron of the Liverpool Institute for Performing Arts, a school in the building formerly occupied by the Liverpool Institute for Boys.

In 1983, McCartney said: “I would not have been as typically human and standoffish as I was if I knew John was going to die. I would have made more of an effort to try and get behind his ‘mask’ and have a better relationship with him.” He said that he went home that night, watched the news on television with his children and cried most of the evening. In 1997, he said that Lennon’s death made the remaining ex-Beatles nervous that they might also be murdered. He told Mojo magazine in 2002 that Lennon was his greatest hero. In 1981, McCartney sang backup on Harrison’s tribute to Lennon, “All Those Years Ago”, which featured Starr on drums. McCartney released “Here Today” in 1982, a song Everett described as “a haunting tribute” to McCartney’s friendship with Lennon.

In 1984, McCartney starred in the musical Give My Regards to Broad Street, a feature film he also wrote and produced which included Starr in an acting role. It was disparaged by critics: Variety described the film as “characterless, bloodless, and pointless”; while Roger Ebert awarded it a single star, writing, “you can safely skip the movie and proceed directly to the soundtrack”. The album fared much better, reaching number one in the UK and producing the US top-ten hit single “No More Lonely Nights”, featuring David Gilmour on lead guitar. In 1985, Warner Brothers commissioned McCartney to write a song for the comedic feature film Spies Like Us. He composed and recorded the track in four days, with Phil Ramone co-producing. McCartney participated in Live Aid, performing “Let it Be”, but technical difficulties rendered his vocals and piano barely audible for the first two verses, punctuated by squeals of feedback. Equipment technicians resolved the problems and David Bowie, Alison Moyet, Pete Townshend and Bob Geldof joined McCartney on stage, receiving an enthusiastic crowd reaction.

McCartney collaborated with Eric Stewart on Press to Play (1986), with Stewart co-writing more than half the songs on the LP. In 1988, McCartney released Снова в СССР, initially available only in the Soviet Union, which contained eighteen covers; recorded over the course of two days. In 1989, he joined forces with fellow Merseysiders Gerry Marsden and Holly Johnson to record an updated version of “Ferry Cross the Mersey”, for the Hillsborough disaster appeal fund. That same year, he released Flowers in the Dirt; a collaborative effort with Elvis Costello that included musical contributions from Gilmour and Nicky Hopkins. McCartney then formed a band consisting of himself and Linda, with Hamish Stuart and Robbie McIntosh on guitars, Paul “Wix” Wickens on keyboards and Chris Whitten on drums. In September 1989, they launched the Paul McCartney World Tour, his first in over a decade. During the tour, McCartney performed for the largest paying stadium audience in history on 21 April 1990, when 184,000 people attended his concert at Maracanã Stadium in Rio de Janeiro, Brazil. That year, he released the triple album Tripping the Live Fantastic, which contained selected performances from the tour.

McCartney was inducted into the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and again as a solo artist in 1999. In 1979, the Guinness Book of World Records recognised McCartney as the “most honored composer and performer in music”, with 60 gold discs (43 with the Beatles, 17 with Wings) and, as a member of the Beatles, sales of over 100 million singles and 100 million albums, and as the “most successful song writer”, he wrote jointly or solo 43 songs which sold one million or more records between 1962 and 1978. In 2009, Guinness World Records again recognised McCartney as the “most successful songwriter” having written or co-written 188 charted records in the United Kingdom, of which 91 reached the top 10 and 33 made it to number one.

Since the Rich List began in 1989, McCartney has been the UK’s wealthiest musician, with an estimated fortune of £730 million in 2015. In addition to an interest in Apple Corps and MPL Communications, an umbrella company for his business interests, he owns a significant music publishing catalogue, with access to over 25,000 copyrights, including the publishing rights to the musicals Guys and Dolls, A Chorus Line, Annie and Grease. He earned £40 million in 2003, the highest income that year within media professions in the UK. This rose to £48.5 million by 2005. McCartney’s 18-date On the Run Tour grossed £37 million in 2012.

During his years with Wings, McCartney tended to leave electric guitar work to other group members, though he played most of the lead guitar on Band on the Run. In 1990, when asked who his favourite guitar players were he included Eddie Van Halen, Eric Clapton and David Gilmour, stating, “but I still like Hendrix the best”. He has primarily used a Gibson Les Paul for electric work, particularly during live performances.

McCartney ventured into orchestral music in 1991 when the Royal Liverpool Philharmonic Society commissioned a musical piece by him to celebrate its sesquicentennial. He collaborated with composer Carl Davis, producing Liverpool Oratorio. The performance featured opera singers Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral. Reviews were negative. The Guardian was especially critical, describing the music as “afraid of anything approaching a fast tempo”, and adding that the piece has “little awareness of the need for recurrent ideas that will bind the work into a whole”. The paper published a letter McCartney submitted in response in which he noted several of the work’s faster tempos and added, “happily, history shows that many good pieces of music were not liked by the critics of the time so I am content to … let people judge for themselves the merits of the work.” The New York Times was slightly more generous, stating, “There are moments of beauty and pleasure in this dramatic miscellany … the music’s innocent sincerity makes it difficult to be put off by its ambitions”. Performed around the world after its London premiere, the Liverpool Oratorio reached number one on the UK classical chart, Music Week.

In 1991, McCartney performed a selection of acoustic-only songs on MTV Unplugged and released a live album of the performance titled Unplugged (The Official Bootleg). During the 1990s, McCartney collaborated twice with Youth of Killing Joke as the musical duo “the Fireman”. The two released their first electronica album together, Strawberries Oceans Ships Forest, in 1993. McCartney released the rock album Off the Ground in 1993. The subsequent New World Tour followed, which led to the release of the Paul Is Live album later that year.

Starting in 1994, McCartney took a four-year break from his solo career to work on Apple’s Beatles Anthology project with Harrison, Starr and Martin. He recorded a radio series called Oobu Joobu in 1995 for the American network Westwood One, which he described as “widescreen radio”. Also in 1995, Prince Charles presented him with an Honorary Fellowship of the Royal College of Music—”kind of amazing for somebody who doesn’t read a note of music”, commented McCartney.

McCartney also produced and hosted The Real Buddy Holly Story, a 1985 documentary featuring interviews with Keith Richards, Phil and Don Everly, the Holly family, and others. In 1995, he made a guest appearance on the Simpsons episode “Lisa the Vegetarian” and directed a short documentary about the Grateful Dead.

In 1997, McCartney released the rock album Flaming Pie. Starr appeared on drums and backing vocals in “Beautiful Night”. Later that year, he released the classical work Standing Stone, which topped the UK and US classical charts. In 1998, he released Rushes, the second electronica album by the Fireman. In 1999, McCartney released Run Devil Run. Recorded in one week, and featuring Ian Paice and David Gilmour, it was primarily an album of covers with three McCartney originals. He had been planning such an album for years, having been previously encouraged to do so by Linda, who had died of cancer in April 1998.

They had four children—Linda’s daughter Heather (legally adopted by Paul), Mary, Stella and James—and remained married until Linda’s death from breast cancer at age 56 in 1998. After Linda died, Paul said, “I got a counsellor because I knew that I would need some help. He was great, particularly in helping me get rid of my guilt [about wishing I’d been] perfect all the time … a real bugger. But then I thought, hang on a minute. We’re just human. That was the beautiful thing about our marriage. We were just a boyfriend and girlfriend having babies.”

McCartney did an unannounced performance at the benefit tribute, “Concert for Linda,” his wife of 29 years who died a year earlier. It was held at the Royal Albert Hall in London on 10 April 1999, and was organised by two of her close friends, Chrissie Hynde and Carla Lane. Also during 1999, he continued his experimentation with orchestral music on Working Classical.

In 2000, he released the electronica album Liverpool Sound Collage with Super Furry Animals and Youth, using the sound collage and musique concrète techniques that had fascinated him in the mid-1960s. He contributed the song “Nova” to a tribute album of classical, choral music called A Garland for Linda (2000), dedicated to his late wife.

When McCartney was a child, his mother read him poems and encouraged him to read books. His father invited Paul and his brother Michael to solve crosswords with him, to increase their “word power”, as McCartney said. In 2001, McCartney published Blackbird Singing, a volume of poems and lyrics to his songs for which he gave readings in Liverpool and New York City. In the foreword of the book, he explains: “When I was a teenager … I had an overwhelming desire to have a poem published in the school magazine. I wrote something deep and meaningful—which was promptly rejected—and I suppose I have been trying to get my own back ever since”. His first children’s book was published by Faber & Faber in 2005, High in the Clouds: An Urban Furry Tail, a collaboration with writer Philip Ardagh and animator Geoff Dunbar. Featuring a squirrel whose woodland home is razed by developers, it had been scripted and sketched by McCartney and Dunbar over several years, as an animated film. The Observer labelled it an “anti-capitalist children’s book”. In 2018, he wrote the children’s book Hey Grandude! together with illustrator Kathryn Durst, which was published by Random House Books in September 2019. The book is about a grandpa and his three grandchildren with a magic compass on an adventure.

After Harrison’s death in November 2001, McCartney said he was “a lovely guy and a very brave man who had a wonderful sense of humour”. He went on to say: “We grew up together and we just had so many beautiful times together – that’s what I am going to remember. I’ll always love him, he’s my baby brother.” On the first anniversary of his death, McCartney played Harrison’s “Something” on a ukulele at the Concert for George; he would perform this rendition of the song on many subsequent solo tours. He also performed “For You Blue” and “All Things Must Pass”, and played the piano on Eric Clapton’s rendition of “While My Guitar Gently Weeps”.

Having witnessed the 11 September 2001 attacks from the JFK airport tarmac, McCartney was inspired to take a leading role in organising the Concert for New York City. His studio album release in November that year, Driving Rain, included the song “Freedom”, written in response to the attacks. The following year, McCartney went out on tour with a band that included guitarists Rusty Anderson and Brian Ray, accompanied by Paul “Wix” Wickens on keyboards and Abe Laboriel Jr. on drums. They began the Driving World Tour in April 2002, which included stops in the US, Mexico and Japan. The tour resulted in the double live album Back in the US, released internationally in 2003 as Back in the World. The tour earned a reported $126.2 million, an average of over $2 million per night, and Billboard named it the top tour of the year. The group continues to play together; McCartney has played live with Brian Ray, Rusty Anderson, Abe Laboriel Jr. and Wix Wickens longer than he played live with the Beatles.

In July 2002, McCartney married Heather Mills. In November, on the first anniversary of George Harrison’s death, McCartney performed at the Concert for George. He participated in the National Football League’s Super Bowl, performing “Freedom” during the pre-game show for Super Bowl XXXVI in 2002 and headlining the halftime show at Super Bowl XXXIX in 2005. The English College of Arms honoured McCartney in 2002 by granting him a coat of arms. His crest, featuring a Liver bird holding an acoustic guitar in its claw, reflects his background in Liverpool and his musical career. The shield includes four curved emblems which resemble beetles’ backs. The arms’ motto is Ecce Cor Meum, Latin for “Behold My Heart”. In 2003, the McCartneys had a child, Beatrice Milly.

In 2002, McCartney married Heather Mills, a former model and anti-landmine campaigner. In 2003, the couple had a child, Beatrice Milly, named in honour of Mills’s late mother and one of McCartney’s aunts. They separated in April 2006 and divorced acrimoniously in March 2008. In 2004, he commented on media animosity toward his partners: “[the British public] didn’t like me giving up on Jane Asher … I married [Linda], a New York divorcee with a child, and at the time they didn’t like that”.

Following McCartney’s marriage to Mills, he joined her in a campaign against land mines, becoming a patron of Adopt-A-Minefield. In a 2003 meeting at the Kremlin with Vladimir Putin, ahead of a concert in Red Square, McCartney and Mills urged Russia to join the anti-landmine campaign. In 2006, the McCartneys travelled to Prince Edward Island to raise international awareness of seal hunting. The couple debated with Danny Williams, Newfoundland’s then Premier, on Larry King Live, stating that fishermen should stop hunting seals and start seal-watching businesses instead. McCartney also supports the Make Poverty History campaign.

McCartney has participated in several charity recordings and performances, including the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, Live 8, and the recording of “Ferry Cross the Mersey”. In 2004, he donated a song to an album to aid the “US Campaign for Burma”, in support of Burmese Nobel Prize winner Aung San Suu Kyi. In 2008, he donated a song to Aid Still Required’s CD, organised as an effort to raise funds to assist with the recovery from the devastation caused in Southeast Asia by the 2004 tsunami.

In July 2005, he performed at the Live 8 event in Hyde Park, London, opening the show with “Sgt. Pepper’s Lonely Hearts Club Band” (with U2) and closing it with “Drive My Car” (with George Michael), “Helter Skelter”, and “The Long and Winding Road”. In September, he released the rock album Chaos and Creation in the Backyard, for which he provided most of the instrumentation. In 2006, McCartney released the classical work Ecce Cor Meum. The rock album Memory Almost Full followed in 2007. In 2008, he released his third Fireman album, Electric Arguments. Also in 2008, he performed at a concert in Liverpool to celebrate the city’s year as European Capital of Culture. In 2009, after a four-year break, he returned to touring and has since performed over 80 shows. More than forty-five years after the Beatles first appeared on American television during The Ed Sullivan Show, he returned to the same New York theatre to perform on Late Show with David Letterman. On 9 September 2009, EMI reissued the Beatles catalogue following a four-year digital remastering effort, releasing a music video game called The Beatles: Rock Band the same day.

In July 2005, McCartney’s performance of “Sgt. Pepper’s Lonely Hearts Club Band” with U2 at Live 8 became the fastest-released single in history. Available within forty-five minutes of its recording, hours later it had achieved number one on the UK Official Download Chart.

McCartney has publicly professed support for Everton and has also shown favour for Liverpool. In 2008, he ended speculation about his allegiance when he said: “Here’s the deal: my father was born in Everton, my family are officially Evertonians, so if it comes down to a derby match or an FA Cup final between the two, I would have to support Everton. But after a concert at Wembley Arena I got a bit of a friendship with Kenny Dalglish, who had been to the gig and I thought ‘You know what? I am just going to support them both because it’s all Liverpool.'”

McCartney’s enduring fame has made him a popular choice to open new venues. In 2009, he played to three sold-out concerts at the newly built Citi Field, a venue constructed to replace Shea Stadium in Queens, New York. These performances yielded the double live album Good Evening New York City later that year.

In 2009, McCartney wrote to Tenzin Gyatso, the 14th Dalai Lama, asking him why he was not a vegetarian. As McCartney explained, “He wrote back very kindly, saying, ‘my doctors tell me that I must eat meat’. And I wrote back again, saying, you know, I don’t think that’s right … I think he’s now being told … that he can get his protein somewhere else … It just doesn’t seem right—the Dalai Lama, on the one hand, saying, ‘Hey guys, don’t harm sentient beings … Oh, and by the way, I’m having a steak.'” In 2012, McCartney joined the anti-fracking campaign Artists Against Fracking.

In 2010, McCartney opened the Consol Energy Center in Pittsburgh, Pennsylvania; it was his first concert in Pittsburgh since 1990 due to the old Civic Arena being deemed unsuitable for McCartney’s logistical needs. In July 2011, McCartney performed at two sold-out concerts at the new Yankee Stadium. A New York Times review of the first concert reported that McCartney was “not saying goodbye but touring stadiums and playing marathon concerts”. McCartney was commissioned by the New York City Ballet, and in September 2011, he released his first score for dance, a collaboration with Peter Martins called Ocean’s Kingdom. Also in 2011, McCartney married Nancy Shevell. He released Kisses on the Bottom, a collection of standards, in February 2012, the same month that the National Academy of Recording Arts and Sciences honoured him as the MusiCares Person of the Year, two days prior to his performance at the 54th Annual Grammy Awards.

McCartney married New Yorker Nancy Shevell in a civil ceremony at Marylebone Town Hall, London, on 9 October 2011. The wedding was a modest event attended by a group of about 30 relatives and friends. The couple had been together since November 2007. Shevell is vice president of a family-owned transportation conglomerate which owns New England Motor Freight. She is a former member of the board of the New York area’s Metropolitan Transportation Authority. Shevell is about 18 years younger than McCartney. They had known each other for about 20 years prior to marrying, having met because both had homes in the Hamptons.

McCartney remains one of the world’s top draws. He played to over 100,000 people during two performances in Mexico City in May, with the shows grossing nearly $6 million. In June 2012, McCartney closed Queen Elizabeth’s Diamond Jubilee Concert held outside Buckingham Palace, performing a set that included “Let It Be” and “Live and Let Die”. He closed the opening ceremony of the 2012 Summer Olympics in London on 27 July, singing “The End” and “Hey Jude” and inviting the audience to join in on the coda. Having donated his time, he received £1 from the Olympic organisers.

On 12 December 2012, McCartney performed with three former members of Nirvana (Krist Novoselic, Dave Grohl, and Pat Smear) during the closing act of 12-12-12: The Concert for Sandy Relief, seen by approximately two billion people worldwide. On 28 August 2013, McCartney released the title track of his upcoming studio album New, which came out in October 2013. A primetime entertainment special was taped on 27 January 2014 at the Ed Sullivan Theater with a 9 February 2014 CBS airing. The show featured McCartney and Ringo Starr, and celebrated the legacy of the Beatles and their groundbreaking 1964 performance on The Ed Sullivan Show. The show, titled The Night That Changed America: A Grammy Salute to The Beatles, featured 22 classic Beatles songs as performed by various artists, including McCartney and Starr.

On 19 May 2014, it was reported that McCartney was bedridden on doctor’s orders due to an unspecified virus, which forced him to cancel a sold-out concert tour of Japan that was scheduled to begin later in the week. The tour would have included a stop at the famed Budokan Hall. McCartney also had to move his June US dates to October, as part of his doctor’s order to rest to make a full recovery. However, he resumed the tour with a high-energy three hour appearance in Albany, New York on 5 July 2014. On 14 August 2014, McCartney performed in the final concert at Candlestick Park in San Francisco, California before its demolition. It was the same venue that the Beatles played their final concert in 1966. In 2014, McCartney wrote and performed “Hope for the Future,” the ending song for the video game Destiny. In November 2014, a 42-song tribute album titled The Art of McCartney was released, which features a wide range of artists covering McCartney’s solo and Beatles work. Also that year, McCartney collaborated with American recording artist Kanye West on the single “Only One”, released on 31 December. In January 2015, McCartney collaborated with West and Barbadian singer Rihanna on the single “FourFiveSeconds”. They released a music video for the song in January and performed it live at the 57th Annual Grammy Awards on 8 February 2015. McCartney is a featured guest on West’s 2015 single “All Day”, which also features Theophilus London and Allan Kingdom.

In February 2015, McCartney appeared and performed with Paul Simon for the Saturday Night Live 40th Anniversary Special. McCartney and Simon performed the first verse of “I’ve Just Seen a Face” on acoustic guitars, and McCartney later performed “Maybe I’m Amazed”. McCartney shared lead vocals on the Alice Cooper-led Hollywood Vampires supergroup’s cover of his song “Come and Get It”, which appears on their debut album, released on 11 September 2015. On 10 June 2016, McCartney released the career-spanning collection Pure McCartney. The set includes songs from throughout McCartney’s solo career and his work with Wings and the Fireman, and is available in three different formats (2-CD, 4-CD, 4-LP and Digital). The 4-CD version includes 67 tracks, the majority of which were top 40 hits. McCartney appeared in the adventure film Pirates of the Caribbean: Dead Men Tell No Tales, which was released in 2017.

Save the Arctic is a campaign to protect the Arctic and an international outcry and a renewed focus concern on oil development in the Arctic, attracting the support of more than five million people. This includes McCartney, Archbishop Desmond Tutu and 11 Nobel Peace Prize winners. In 2015, following British prime minister David Cameron’s decision to give Members of Parliament a free vote on amending the law against fox hunting, McCartney was quoted: “The people of Britain are behind this Tory government on many things but the vast majority of us will be against them if hunting is reintroduced. It is cruel and unnecessary and will lose them support from ordinary people and animal lovers like myself.” During the 2019–20 coronavirus pandemic, McCartney called for Chinese wet markets (which sell live animals including wild ones) to be banned. He expressed concern over both the health impacts of the practice as well as its cruelty to animals.

In January 2017, McCartney filed a suit in United States district court against Sony/ATV Music Publishing seeking to reclaim ownership of his share of the Lennon–McCartney song catalogue beginning in 2018. Under US copyright law, for works published before 1978 the author can reclaim copyrights assigned to a publisher after 56 years. McCartney and Sony agreed to a confidential settlement in June 2017. On 20 June 2018, McCartney released two songs, “I Don’t Know” and “Come On to Me”, from his album Egypt Station, which was released on 7 September through Capitol Records. Egypt Station became McCartney’s first album in 36 years to top the Billboard 200, and his first to debut at number one.

In October 2020, McCartney announced his new album McCartney III, which is set to be released on 11 December via Capitol Records.