Renée Geyer was born in 1953 in Melbourne, to a Hungarian-Jewish father, Edward Geyer, and a Slovak-Jewish mother, a Holocaust survivor, as the youngest of three children. Geyer was named Renée for another Holocaust survivor who had helped her mother in Auschwitz after Josef Mengele had assigned the rest of her mother’s family to death. At a young age, the Geyers moved to Sydney where her parents were managers of a migrant hostel. Geyer describes herself as a problem child, and her parents called her übermutig (German for reckless). She attended various schools and was expelled from a private school, Methodist Ladies College, for petty stealing. Her first job was as a receptionist for the Australian Law Society.

In 1970, at the age of 16, while she was still at Sydney High School, Geyer began her singing career as a vocalist with jazz-blues band Dry Red. This group also contained Eric McCusker of Mondo Rock. For her audition she sang The Bee Gees’ hit “To Love Somebody”. She soon left Dry Red for other bands including the more accomplished jazz-rock group Sun. Sun consisted of Geyer, George Almanza (piano), Henry Correy (bass guitar), Gary Norwell (drums), Keith Shadwick (sax, flute, clarinet, vocals) and Chris Sonnenberg (guitar). The group released one album, Sun 1972 in August 1972, Geyer departed Sun in mid-1972 and joined Mother Earth whose R&B/soul music style was more in keeping with Geyer’s idiom. Mother Earth consisted of Geyer, Jim Kelly (guitar), David Lindsay (bass guitar), John Proud (drums) and Mark Punch (guitar, vocals).

In 1973, Geyer was signed to RCA Records, who had released Sun’s album the year before, Geyer, already showing signs of her self-proclaimed “Difficult Woman” tag, loyally insisted that Mother Earth back her on the album. Geyer’s self-titled debut studio album was released in September 1973 which mostly consisted of R&B/Soul cover versions of overseas hits and was produced by Gus McNeil. Geyer left Mother Earth by the end of the year.

In August 1974, Geyer released her second studio album, It’s a Man’s Man’s World which was produced by Tweed Harris (ex-The Groove), It became her first charting album when it peaked at #28 in October on the Kent Music Report. The title track, “It’s a Man’s Man’s Man’s World”, was a cover version of James Brown’s hit from 1965, and became her first top 50 single.

The arrangement led to Geyer’s third studio album, Ready to Deal, which was recorded in August–September 1975, and by this stage Sanctuary line-up was, Logan, Sullivan, Mark Punch (guitar; ex-Mother Earth) and Greg Tell (drums). They co-wrote most of the material for the album with Geyer and Sanctuary was renamed as Renée Geyer Band; the album was released in November to reach #21. It spawned one of Geyer’s signature songs “Heading in the Right Direction”, written by guitarist Punch and Garry Paige (both ex-The Johnny Rocco Band), which reached the top 40 in 1976.

During this time, Geyer participated in the 1975 federal election campaign for the Liberal Party, singing their theme song “Turn on the Lights”, the second most known Australian political song behind the 1972 Labor campaign theme song, “It’s Time”. In recent years, Geyer has distanced herself from the Liberal Party and politics in general, stating she had only done their theme song to earn enough money to record an album in the United States, where she had signed a contract with Polydor Records.

Before departing for the US, Mick Rogers (guitar; Manfred Mann’s Earth Band) replaced Punch and Renée Geyer Band recorded a live album, Really Really Love You, at their farewell concert in Melbourne’s Dallas Brooks Hall on 11 April 1976. Really Really Love You was released in August and reach the top 50; “Shaky Ground”, the related single, appeared in September. Geyer relocated to the Los Angeles mid-1976.

In May 1977, Geyer released her fourth studio album Moving Along on RCA/Mushroom Records and peaked at #11 in Australia. It used Motown Records producer Frank Wilson, with the album’s Polydor Records release for the US market titled Renée Geyer. Her backing musicians, Mal Logan (keyboards) and Barry Sullivan (bass guitar) were supplemented by members of Stevie Wonder’s band, as well as Ray Parker Jr. and other US session musicians. It provided Geyer biggest Australian hit single, at the time, with “Stares and Whispers” peaking at #17. In the US, radio stations began playing several of the album’s tracks, in particular a re-recorded version of “Heading in the Right Direction” which was issued as her first US & UK single.

Polydor were aware her vocal style led listeners to incorrectly assume she was black and urged her to keep a low profile until her popularity had grown, thus they suggested her US album release should not include her photograph. Known for her uncompromising and direct personal manner, Geyer refused to allow this deception and insisted on marketing the album complete with a cover photograph of what she referred to as “my big pink huge face”. After the album’s release, interest in Geyer subsided in the US, which Geyer later blamed on her headstrong decision regarding her marketing. Geyer earned respect in the US recording industry and for several years worked in Los Angeles as a session vocalist although she returned to Australia periodically. While in Australia in late 1977, Geyer released the single “Restless Years”, the theme song for the Ten Network TV soapie The Restless Years, with its writer Mike Perjanik; “Restless Years” reached the top 40 in early 1978. Mushroom released the greatest hits Renée Geyer at Her Very Best in November 1977 which peaked at number 53.

In 1978, Geyer played the role of Christine on Walter Murphy’s concept album Phantom of the Opera. In December 1978, Geyer released Winner. The backing band were Punch, Tell and Tim Partridge (bass guitar; Kevin Borich Express), together with session musicians. Geyer was unhappy with the mix and lack of support from Polydor, so she negotiated a release from her contract, brought the album tapes to Australia where it was remixed and released. Geyer herself, referred to the album as “a bit of a loser” as much of the material was not up to her usual standard. She toured Australia promoting it but neither the album nor its two singles achieved top 50 chart success.

Geyer’s June 1979 release, Blues License, is unique in her catalogue as she combined with Australian guitarist Kevin Borich and his band Express to record an album of straight blues material. The added fire in her vocals was sparked by the harder edged backing from Kevin Borich Express, Logan, Punch, Tim Piper (guitar; ex-Chain, Blackfeather), and Kerrie Biddell (backing vocals; Brian Cadd band), it reached the top 50, became a favourite of fans and remained in print.

In 1981, Geyer recorded her seventh studio album So Lucky in Shangri-La Studios, Malibu, California. Helmed by Rob Fraboni (The Beach Boys, Bob Dylan, The Band) and Ricky Fataar (Beach Boys), the album moved Geyer from the soul style she had been identified with and added a tougher, rootsy rock/R&B style, while incorporating salsa and reggae. The lead single “Say I Love You” was released in May 1981 and became her biggest hit when it reached #5 on the Australian charts and #1 in New Zealand. So Lucky was released in November 1981 and spawned two further singles, “Do You Know What I Mean”, released in December 1981 and reached the top 30 and “I Can Feel the Fire” released in February 1982. Geyer performed in Mushroom’s 10th anniversary celebration, the Mushroom Evolution Concert on Australia Day (26 January) long week-end in 1982 at the Myer Music Bowl. The album was released international by Portrait Records as Renée Geyer by Renée Geyer and the Bump Band in 1982. In 1982, Mushroom subsequently re-issued her previous albums.

In 1983, Geyer released a second live album Renée Live in May, which included a duet with Glenn Shorrock (singer; Little River Band) on a cover version of Dusty Springfield’s 1966 single “Goin’ Back”. In November 1983, Mushroom Records released a second greatest hits album, Faves, which concluded her contract. Geyer returned to the USA late in 1983 and concentrated on breaking into the musical scene in Los Angeles.

Geyer visited Australia and performed three songs for the Oz for Africa concert (part of the global Live Aid program) in March 1985. It was broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US.

In 1985, Geyer signed with WEA Records and in May 1985, Geyer released “All My Love” which peaked at number 28. In June, Geyer’s eighth studio album Sing to Me peaked at number 37. The album was not given a US release and none of the follow-up singles reached the top 50, and Geyer and WEA parted ways.

In May 1986, Geyer recorded Live at the Basement, which was released later that year by ABC Records.

Geyer continued as an in-demand session vocalist, which she had also done in Australia. Geyer was on Sting’s 1987 double-album, …Nothing Like the Sun, including the single “We’ll Be Together”. Geyer performed a duet with Joe Cocker on his 1987 album, Unchain My Heart and, following the album’s release, toured Europe with him as a backing vocalist. Geyer was audible on Toni Childs hit “Don’t Walk Away” from the 1988 album, Union. Other sessions included working with Neil Diamond, Julio Iglesias, Buddy Guy and Bonnie Raitt. Geyer also recorded “Is it Hot in Here” for the soundtrack of the 1988 film Mystic Pizza. Geyer described her backing vocals as supplying, “The old Alabama black man wailing on the end of a record so they hire the white Jewish girl from Australia to do it.”

The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987. Geyer had been nominated six times. In 2005, Renée Geyer was inducted into the ARIA Hall of Fame.

In 1988, Geyer joined Easy Pieces, with Hamish Stuart (guitar, and vocals) and Steve Ferrone (drummer), both ex-The Average White Band and Anthony Jackson (bass guitar). They signed to A&M Records and the band’s self-titled album, Easy Pieces was released in 1988 to excellent reviews, but the label changed distributors just as it was released and music stores couldn’t order copies,. The album didn’t chart.

Geyer visited Australia in 1992 and recorded a number of songs, including “Foggy Highway”, for the ABC-TV mini series Seven Deadly Sins, alongside Vika Bull, Deborah Conway and Paul Kelly. The album was released in February 1993 and peaked at number 71 on the ARIA Charts. Two singles were released from the soundtrack including Geyer’s cover of Willie Nelson’s “Crazy”.

Kelly produced Geyer’s ninth studio album Difficult Woman which was released on Larrikin Records in 1994. It was her first solo studio album in 9 years. The exposure encouraged Geyer to move back to Australia and following the release of Difficult Woman, Geyer spent time reestablishing herself on the live circuit across Australia. These performances showed her more relaxed on stage than at her peak when her innate shyness was often cleverly disguised. Now a confident, mature woman she showed off a hitherto hidden wicked sense of humour.

In May 1998, Mushroom Records released The Best of Renee Geyer 1973-1998, which peaked at number 50 in New Zealand and 53 in Australia. The album was released with a bonus disc of remixed tracks including her 1981 single “Say I Love You” which was released as the lead single by GROOVE 21/20 featuring Geyer. Also in 1998, Geyer recorded “Yil Lull” alongside Kelly, Archie Roach, Christine Anu, Judith Durham, Kutcha Edwards and Tiddas.

In March 1999, Geyer release her tenth studio album Sweet Life. The album was again produced by Kelly and Joe Camilleri (Jo Jo Zep & The Falcons, The Black Sorrows). The album peaked at number 50 in the ARIA Charts.

In 2000, Geyer released her autobiography, “Confessions of a Difficult Woman”, after her 1994 studio album. In October 2000, Geyer performed at the Opening Ceremony of the 2000 Summer Paralympics in Sydney.

In August 2003 Geyer released her eleventh studio album Tenderland. The album peaked at #11 on the ARIA Charts, equalling her highest charting album in her career. Live at the Athenaeum was released in April 2004 and Geyer’s twelfth studio album Tonight in April 2005.

On 14 July 2005, Geyer was inducted into the ARIA Hall of Fame by Michael Gudinski. At the ceremony, contemporary R&B singer Jade MacRae performed a Geyer medley, followed by Geyer singing her 1975 hit “It’s a Man’s Man’s World”.

The Music Victoria Awards are an annual awards night celebrating Victorian music. They commenced in 2005.

In July 2007, Geyer was cast in the lead role in Sleeping Beauty. In 2008 she also provided a voice in the award winning claymation Mary & Max by Adam Elliot.

Geyer and fellow 1970s singer, Marcia Hines, are the subjects of Australian academic, Jon Stratton’s 2008 Cultural Studies article, “A Jew Singing Like a Black Woman in Australia: Race, Renée Geyer, and Marcia Hines”. Geyer delivered a two-hour master class on 3 December 2008 to illustrate her annoyance of vocal gymnastics used by singers such as, Mariah Carey, Christina Aguilera and contestants on Australian Idol. Geyer was approached to be a judge on Australian Idol and The X Factor but declined, she criticised Hines for being “so neutral, I don’t hear an opinion” and Kyle Sandilands for his comments that are hurtful. After having signed with Liberation Blue Records which teams her with former Mushroom boss, Gudinski, Geyer released the compilation, Renéesance in May 2009.

In May 2009, Geyer released Renéessance on the LIberation Blue label. The album is a collection of newly recorded acoustic versions of material Geyer had previously recorded. In June 2009, Geyer was diagnosed with breast cancer and following surgery was told that the cancer had been detected early and a full recovery was expected.

In March 2010, Warner Music Australia released another greatest hits compilation titled The Ultimate Collection. It became her highest charting album in New Zealand peaking at number 21.

In August 2011 she was fined for careless driving over two incidents in Victoria in 2010 and 2011, where she crashed into parked cars, a tree and a shop front. Her lawyer had blamed the crashes on a drug she was taking to treat breast cancer which he said led to a loss of concentration. She was fined $500 that was ordered to be paid to the Cancer Council.

In April 2013, Geyer released her fifteenth studio album Swing, which is a big-band covers album. The album peaked at number 22 in Australia. Geyer toured the album across 2013. In November 2013, Geyer was inducted into the Music Victoria Hall of Fame.

In 2015, Geyer reportedly verbally attacked a receptionist at the Adina Hotel in Haymarket, leaving the receptionist in tears after being told she needed to provide vehicle registration to access the car park. In January 2017, Geyer escaped conviction but was instead handed a 12-month good behaviour bond.

In October 2018, Geyer indicated that she wants to record a new album – possibly her last – “I am playing it by ear, but sometime in the next year, I would like to do something – another new album. I have collaborated with people on different things and other projects, but I would like to do something of my own again. And I think in the next twelve months it will happen. And it probably might be my last one. I will probably do something, like a tribute to a blues situation, because I have been so influenced by the blues through my life, and I have never really spoken to that. So, I might do something, that has to do with that. Some version of a blues record”.